Behringer DeepMind 12

12-Voice Analogue Synthesiser

  • 49 Semi-weighted full-size keys
  • Key velocity sensitive and with aftertouch
  • 4 FX Engines powered by tc electronic and Klark Teknik
  • 24 Oscillators - 2 OSCs and LFOs per voice
  • 3 ADSR generators
  • Switchable 2- or 4-pole Low-Pass filter per voice
  • High-Pass filter
  • 8-Channel modulation matrix
  • 32-Step control sequencer
  • Envelope Depth
  • Key tracking
  • Remote control via iPad / PC / Mac and selected Android app via USB, MIDI or built-in Wi-Fi
  • 26 Sliders and one switch per function give direct and real-time access to all important parameters
  • 1024 User program memories
  • Built-in and adjustable Wi-Fi client
  • LC-Display
  • Dimensions (W x D x H): 822 x 257x 103 mm
  • Weight: 8.4 kg
  • Designed and engineered in the UK
No JavaScript? No Audio Samples! :-(

Audio Examples

 
0:00
  • Demo 1
  • Demo 10
  • Demo 11
  • Demo 2
  • Demo 3
  • Demo 4
  • Demo 5
  • Demo 6
  • Demo 7
  • Demo 8
  • Demo 9
  • Show more

Further Information

Number Of Keys 49
Touch-Sensitive Yes
Aftertouch Yes
Split Zones No
Modulation Wheel Yes
Amount of simultaneous tones 12
Sound Engine Analogue
MIDI interface 1x In, 1x Out, 1x Thru
Storage Medium Internal
USB-port Yes
Effects Multieffect processor
Arpeggiator Yes
Number of Analog Outputs 2
Digital Output No
Display Yes

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Behringer DeepMind 12 + Millenium KS-2000 + the t.bone HD 200 +
6 more
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starting from $744

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Our most popular Synthesizers
77 Customer Ratings:
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4.6 / 5.0
  • handling
  • features
  • sound
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55 written ratings Read all reviews
Total
handling
features
sound
quality

Decent sound, good feel, good features

makoivis, 15.01.2019
The good:

The keybed is great, same keybed as the OB-6. Good feel even though I prefer the stiffer yamaha keybeds. Aftertouch has a controllable range.

Voice calibration is dead easy. VCF tuning may need occasional calibration if you use self-resonance for bell sounds, but this is a quick process.

There's very little menu diving. The most common controls are on the panel, and the most common options are on the first page of the menu. Lots of thought has gone into this and the result is easy to use.

Modulation is easy to set up. Hit mod button, pick mod slot, hold down mod button, nudge the source, nudge the destionation, adjust depth and done.

Envelopes have retrig. No note sequencer, but the arpeggiator is flexible and the control sequencer is useful. Control sequences can't be saved and shared across patches AFAIK, but arpeggio patterns can.

Preset management via the app is okay. Not the best, but far more convenient than faffing about with sysex.

The bad:

The second oscillator doesn't do a saw wave. In practice you can deal with this by using two voices in unison. This means the DM12 is definitely the one to get over the DM6, so you can still have six voice polyphony.

The volume of the patches is a bit all over the place, and you can't store main volume per patch, only VCA volume, which in turn changes the character of the sound. Volume can range 15dB or more between patches. Luckily the front panel volume knob is conveniently placed on the left hand control section.

The sound:

The bass sounds aren't the beefiest, you need to find a sweet spot to get truly nasty bass sounds. However, pads, arps and plucks are easy to make and sound great. Creating patches is a ton of fun and the sounds are inspiring. Most of the built-in patches are a bit naff, but if you know anything about subtractive synthesis it's dead easy to dive in and start building your own library.
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Total
handling
features
sound
quality

From small and cheap, to a giant and powerful!

Magus, 27.01.2019
This synth has been on my radar for a long time. The "simple" aspect and the price far below others of renown, of long and respected history, supposed me something below my expectations, but...

...on the other hand, the sounds I heard from him in reviews on the internet, samples of sounds, etc, would turn my head and whet my curiosity. Because what I heard, was the way I was looking for, to contrast with other synthesizers that I have. And there was light!

It's because? Because it was enough to look at your name (DeepMind), and see what really made sense, the interaction of the name with the content.

And as a matter of fact, when I started to play on it, and just the sounds of the factory, I quickly felt a huge suprise of Wow!
Sounds deep, rich, full of senses. With all the controls needed by hand, to play without exploring other settings within the menu.

It is to close the eyes, and to travel. I thought, here is a beautiful medicine for the mind.

Pros: - price
          - sound quality
          - amount of factory sounds available
          - visual
          - main changes of sound at sight
          - feeling of futuristic nostalgia

Cons: - as I had read somewhere, I could refer to the sound of the
             cooling fan on the rear panel as a problem, but in reality, I
thought they were more audible. But as I like to "feel" the
sounds, I usually use a headphone. What still further
attenuates the alleged inconvenience. Not a problem for me
at all!

Conclusion: Wow! A little friend with a big heart, that rejoices the
mind. Supress and total satisfaction.
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$659 €587.39
Plus $33.80 shipping

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Available immediately

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