Behringer X-Touch

Universal DAW Remote Controller

  • For studio and live applications
  • Supports HUI and Mackie Control protocol
  • 9 Touch-sensitive 100 mm motor faders
  • 8 LCD Displays for channel identification and other parameters
  • Ethernet interface for RTP (Real-time Protocol) MIDI and BEHRINGER X32 remote control
  • 8 Assignable rotary controls
  • 92 Buttons for direct access of key functions
  • Built-in 2x2 USB/MIDI interface for direct connection from Mac or PC
  • 2 Connectors for foot switches

Further Information

USB Yes
Bluetooth No
5-pole DIN MIDI Yes
Ethernet Yes
Fader 9
Rotary Encoders 8
Audio I/O No
Transport Function Yes
Footswitch Connector Yes
Foot Controller Connection Yes
Bus-Powered No
Jog Yes
Joystick No

These are other customers' choices:

Customers who looked at this item have bought these:

Behringer X-Touch
52% bought this exact product
Behringer X-Touch
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
$359 Add to Basket
Behringer X-Touch Mini
8% bought Behringer X-Touch Mini $39.79
Behringer X-TOUCH ONE
8% bought Behringer X-TOUCH ONE $121
Behringer X-Touch Compact
6% bought Behringer X-Touch Compact $254
Behringer X-Touch Extender
6% bought Behringer X-Touch Extender $254
Our most popular DAW Controllers
75 Customer Ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.3 / 5.0
  • handling
  • features
  • quality
52 written ratings Read all reviews
Total
quality
features
handling
Quickly became an indispensable tool for me
Zwavelbron, 07.06.2019
My use case for the X-Touch is as a DAW controller for Cubase in a home studio. I use it for transport control, setting markers, volume and panning, and other DAW control (e.g. arming tracks, metronome toggle (custom shortcut), monitor toggle (custom shortcut))

I don't use the faders and knobs for plugin control etc., I use my master keyboard for those since that allows me to change the CC numbers more easily.

The positive:
- Since I started using this in Cubase, I can't work well without it anymore. It speeds up my mixing workflow so much compared to just using mouse+keyboard. It's also much easier to control the recording process with the X-Touch when I'm playing guitar or keyboard. Need to record DI + wet signal to separate tracks? Just press both 'rec/arm' buttons on the X-Touch at the same time.
- Build quality feels very solid, faders feel sturdy.
- Reliable, no issues in operation yet after 4 months of intensive use.
- The touch sensitive faders are useful for automatically selecting channels, no need to press a button first. However, that option does exist as well, if you want to select a channel without touching the fader and risking a volume change. It's great to have both options!
- Great integration with Cubase, the customizable shortcuts open up a world of possibility.
- Has 2 pass-through USB ports, which I use to connect some other music-related gear, allowing me to turn all of it on/off with a single switch - the X-Touch power button.
- Uses a standard power cord which is therefore easily replaceable.
- Motorized faders just look awesome in general.
- Much cheaper than an actual Mackie yet I don't really see a reason why that would be better. In fact, I prefer the X-Touch' separate track displays to the Mackie's combined track display. The X-Touch also shows the volume per channel during playback with a typical volume 'bar', which looks great in the total channel overview, while the Mackie just shows it using a single LED.

The negative (X-Touch specific):
- The track displays are not readable under an angle, but I solved that by tilting the whole X-Touch, which somehow feels more natural to control that way for me as well.
- Toggling between parameter names and parameter values in the track displays is a non-sticky option. I prefer to see the values, but the default is to show the parameter name. Every time I switch fader banks (or restart the device), I have to re-set that option if I want to see values instead.

The negative (Mackie-protocol limitations):
- The track display hardware supports different colors for the backlights, which would be an awesome feature to even more quickly correlate the channels to the ones in my DAW. However, this does not work with a DAW due to limitations in the Mackie protocol. This is NOT actually a limitation in the X-Touch itself; the much more expensive Mackie controllers have the same limitation. It only works over ethernet when connected to a Behringer X32 (have not been in a position to try that, so I cannot verify it)
- Buttons can have different functions in different DAWs and applications, so you may have to find and print a template to put on it for easier use. The standard names don't map well to Cubase, which I'm using.
- Faders sometimes do not appear to go very smoothly. This is not a hardware issue, but it is because some DAWs send Mackie updates with a relatively low frequency (so instead of a 'diagonal line' when increasing volume, the controller receives a 'staircase' from the DAW). Luckily there is a free tool floating around online that can intercept and interpolate these updates, which improves smoothness.

Useful note:
- The protocol is MIDI-based, which makes it universally compatible with many things. However, if you only plan to use the faders and knobs for volume/panning, like me, you may want to disable this device in your DAW's regular MIDI inputs to prevent unintentional changes to your virtual instruments when pushing buttons and moving faders/knobs :)
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
quality
features
handling
great for everything except for plug-ins (logic pro x user)
DCLA, 22.03.2019
the machine itself is of good quality. the knobs, faders, and jog wheel all have a good touch n feel and gives sense of precision. basic use is good (i.e. moving fader banks, adjusting track zooms, automation, etc.), however when it comes to plug-ins i give it a 2.5-3 stars. bkz it assigns the knobs of the plug in to the rotary dials (or faders) but its difficult to find the knob u r looking for. they are not grouped together properly, and thus u end of moving banks of knobs back n forth to set the levels. much much easier to use a mouse. if u tweak alot of plug-ins this is not the machine for you, if you are in surgery mode with eq's and plug-ins, this is not the machine for you. this gives you the real fader touch/effect which is great, but unfortunately not enough. overal total rating i would rate is a 3.5 stars but i rounded up to 4 bkz of the cost, very affordable for a certain amount of work flow relief and the opportunity to work with real faders. overall, one of the better made products by behringer.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
B-Stock from $329 available
$359 €318.49
Plus $33.80 shipping

The price in USD is a guideline price only!

Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
Share This Product
Your Contacts
Phone: +49-9546-9223-30
FAX: +49-9546-922328
Online Guides
Controllers
Controllers
These days, musicians are experiencing the increasing complexity of their instruments and devices at first hand - regain some of the control you've lost!
 
 
 
 
 
test results:
* The prices shown exclude VAT. and are valid as long as stocks last. Please click here for international shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. All invoices will be issued in EUR.
(1)
Recently Viewed
Rode Wireless GO

Rode Wireless GO; Digital Wireless Microphone System; ultra-compact and lightweight set of transmitter and receiver; series III 2.4 GHz digital transmission; clip-on transmitter TX with built-in microphone (omni capsule); maximum SPL: 100 dB; Frequency Range: 50 Hz – 20 kHz...

(2)
Recently Viewed
Arturia MicroFreak

Hybrid Synthesizer Touch keyboard with 25 keys, Velocity dynamic with polyphonic aftertouch, Digital oscillator with synthesis methods like Karplus Strong, Harmonic OSC, Superwave and Texturer, Analog state variable filter (-12 dB/oct.) with selectable lowpass, bandpass and highpass characteristics, LFO...

Recently Viewed
Native Instruments Komplete Audio 6 MK2

6-Channel Audio Interface 24-Bit / 192 kHz, 2 Mic/Line/Instrument Combo Inputs: XLR/jack 6.3 mm, 2 Line inputs: 6.3 mm Jack, 4 Line outputs: 6.3 mm Jack DC-coupled, S/PDIF input coaxial, MIDI input and output, 2 Stereo headphone outputs: 6.3...

(3)
Recently Viewed
TC Electronic Polytune 3 Noir

TC Electronic Polytune 3 Noir; Effects Pedal for Electric Guitar; compact polyphonic tuner/buffer, tuner in effectpedal size, Bonafide buffer circuitry preserves your tone through long cable runs and multiple effects, polyphonic tuning - tune all strings simultaneously, fast chromatic tuner...

Recently Viewed
K&M 21427

K&M 21427, professional carrying case for 6 microphone stands, includes castors for easy and comfortable transport, case made of extremely durable 1680D nylon fabric, all seams hand-stitched in high quality, padded carrying handles and a durable zipper, castors included, dimensions:...

Recently Viewed
RCF Art 312 MK III

RCF Art 312 MK III - full range passive speaker, 12"/1", 300W, 90x70° 12" woofer and 1" driver with 1.5" Mylar diaphragm, 8ohm, 127dB max, Speaker Twist in/out, plastic housing, pole mount adapter, 4 x M10-Flying points and 3 handles,...

(1)
Recently Viewed
Jazzlab saXholder PRO

Saxophone holder For Baritone, Tenor, Alto, and Soprano saxophones, Transfers the weight evenly across both shoulders, No load on the cervical vertebrae, Can be adjusted quickly with one hand, Space-saving: Smaller than a sheet of paper when folded, Comfortable...

(2)
Recently Viewed
Harley Benton Custom Line Thunder 99

Guitar Power Amplifier in Pedal Format Compact power amp pedal for electric guitar, For direct connection to any preamp, pedal or effects unit, Power: 2 x 50W to 4 ohms, For 4 - 16 ohm speakers, Master volume controller,...

Recently Viewed
J. Rockett Audio Designs The Dude V2

Effect pedal for electric guitar Overdrive, Delivers classic D-Style ODS sounds and feel, Less aggressive volume controller than previous version, True bypass, Controls for Level, Ratio, Treble and Deep, Bypass footswitch, Input / Output: 6.3mm mono jacks, Metal housing,...

(1)
Recently Viewed
IK Multimedia UNO Drum

IK Multimedia UNO Drum; analog/PCM drum machine; 6 true analog voices for kick, snares, claps, and hi-hats; 12 PCM voices with 54 samples; freely layer analog & PCM sounds with 11-voice polyphony; editable drum sound parameters like level, tune, decay...

Recently Viewed
K&M 21316 Select

K&M 21316 Select, large carrying case for speaker and hand crank stands, case made of extremely durable 1680D nylon fabric, all seams hand-stitched in high quality, padded carrying handles and a durable zipper, dimensions: 1200 mm, weight: 2,1kg, colour: black

Recently Viewed
Jazzlab saXholder PRO XL

Saxophone holder For Baritone, Tenor, Alto, and Soprano saxophones, Transfers the weight evenly across both shoulders, No load on the cervical vertebrae, Can be adjusted quickly with one hand, Space-saving: Smaller than a sheet of paper when folded, Comfortable...

Give Feedback
Feedback Found an error or want to give us feedback about this page?

We're looking forward to hearing from you and aim to solve any problems as soon as we can.