Erica Synths SYNTRX II


Analogue Desktop Synthesizer

  • 2 VCOs with octave selector and fine tuning control
  • 2 Mixable waveforms per oscillator (incl. waveshaping)
  • Synchronisation of VCO2 to VCO1 switchable
  • Modulation oscillator with 2 mixable waveforms and waveshaping
  • Noise generator with filter
  • Series-connected high-pass and low-pass filters with resonance
  • Synchronisable "sample & hold" section
  • Ring modulator
  • Instrument input with envelope follower
  • Second signal input switchable between line and microphone level
  • Function generator with AD, ASR and loop mode
  • 2 VCAs with panorama control
  • On-board effect, switchable between reverb or delay
  • Assignable joystick with attenuator for X- and Y-axis, record function and manual gate button
  • Digitally controlled modulation matrix with 16 sources and 16 destinations
  • Memory for 254 patches
  • VU meter for displaying control voltage or audio level
  • 2 CV inputs and gate-in (6.3 mm jack)
  • 2 Audio inputs (6.3 mm jack)
  • 2 Audio outputs and scope output (6.3 mm jack)
  • Stereo headphone output (6.3 mm jack)
  • MIDI In / Thru (DIN 5-pin)
  • Dimensions (W x D x H): 457 x 309 x 115 mm
  • Weight: 4.05 kg
  • Includes external power supply (12 V DC)
  • Suitable case: Art.506035 (not included in delivery)
Available since March 2023
Item number 557197
Sales Unit 1 piece(s)
Design Desktop
Polyphony 1
Sound Generation Analogue
MIDI interface 1x In, 1x Thru
Storage Medium None
USB-port No
Effects Yes
Arpeggiator No
Number of Analog Outputs 3
Digital Output No
Display No
Optional Expansions N/A
Special Features Digital Modulation Matrix
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B-Stock from $1,848 available
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3 Customer ratings

5 / 5

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1 Review

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Hektor Rottweiler 19.09.2023
Erica Synths SYNTRX II ist ein extrem breit konzipierter Synthesizer, vor allem, weil man ihn über eine Matrix programmieren kann und daher die Kabel nicht braucht, die normalweise bei einem Analog-Gerät nötig sind. Leider ist die "Gebrauchsanweisung" so dünn wie die Möglichkeiten vielfältig, also sehr benutzerunfreundlich. Man muß Spezialist sein und "mitdenken", dann erschließt sich das gesamte Potential. Das ist freilich scheinbar grenzenlos. Der Klang ist exzellent.