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Focusrite Scarlett 18i20 3rd Gen

Apogee FX Rack for free!

Apogee FX Rack for free!

When you buy selected Audiointerfaces from 13.05.2024 up to and including 28.07.2024 there is the exclusive Apogee FX Rack Plugin-Bundle with a value of EUR 489,00 with 5 effects for Mix and Mastering totally for free! It will be added to your order as a download!

18-Channel USB2.0 Audio Interface with USB-C Connection

  • 24 bit / 192 kHz
  • 8 Scarlett microphone preamps
  • +48 V phantom power
  • Switchable air function
  • Talkback function with built-in microphone
  • Pad switch
  • 8 Mic/line inputs: XLR/6.3 mm jack combo balanced - 2 of them with instrument input on front side
  • 10 Line outputs: 6.3 mm jack balanced
  • 2 Stereo headphone outputs: 6.3 mm jack
  • 2 S/PDIF input and output coaxial
  • 2 ADAT input and output
  • MIDI input and output
  • USB-C connection
  • BNC word clock
  • For PC/Mac
  • Construction: 19" / 1 U (removable rack cover)
  • Dimensions (W x H x D): 482.6 x 46.6 x 259.8 mm
  • Weight: 3.19 kg
  • Incl. USB cable (type C to A) and Hitmaker Expansion software bundle (Ableton Live Lite, 3 months Splice Sounds membership and Plug-in bundle for songwriting, mixing and mastering)

Hitmaker Expansion Plugins:

  • LANDR - AI-based mastering tool (two-month subscription)
  • Softube Marshall Silver Jubilee 2555 - Amp Sim
  • XLN Audio Addictive Keys - Virtual Keyboard Instruments
  • XLN Audio Addictive Drums 2: Studio Rock - Virtual Drum Library
  • Antares Auto-Tune Access - Vocal Tuning
  • Brainworx Bx_console Focusrite SC - Channel Strip
  • Focusrite Red 2 & 3 Plug-in Suite - EQ and Compressor
  • Relab's LX480 Essentials - Reverb
  • Native Instruments MASSIVE, FAST Balancer
Available since July 2019
Item number 468427
Sales Unit 1 piece(s)
Recording / Playback Channels 18x20
Number of Mic Inputs 8
Number of Line Inputs 8
Instrument Inputs 2
Number of Line Outs 10
Headphone Outs 2
Phantom power Yes
Number of S/PDIF Connectors 2
Number of ADAT Connectors 2
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Ethernet 0
Other Connectors No
MIDI interface Yes
Word Clock 1xOut
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 2.0
Width in mm 482,6 mm
Depth in mm 259,8 mm
Height in mm 46,6 mm
Connection Format USB port Type C
Included in delivery USB-C to USB-A Cable, Software
Zero latency monitoring 1
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The scarlet heart of the studio

The Focusrite Scarlett 18i20, a USB audio interface for Mac and PC, is the flagship of the acclaimed Scarlett interface series. It features eight balanced line inputs for connecting synthesizers or other line-level audio sources and ten balanced outputs. In addition, it features a digital stereo input and output in S/PDIF format and an eight-channel ADAT I/O. The eight analogue inputs are combined XLR/jack sockets and can thus be used with microphones. The 18i20 features eight high-quality Scarlett microphone preamps with switchable 48V phantom power, as well as the brand-new Air Mode. Electric guitars and basses can also plugged in directly, since the impedance of the two front sockets can be set to Hi-Z. The Scarlett 18i20 also looks great and is very attractively priced. An audio interface provides a connection between a computer and various external devices. The computer in turn requires special software in order to process the incoming signals. Focusrite offers a selection of software you can use to get started, including the digital audio workstations (DAWs) Ableton Live Lite and ProTools Artist, and a three-month subscription to Splice Sounds. Focusrite’s Hitmaker Expansion software bundle is also included.

combined XLR and 6.3 mm jacks on the front of the Focusrite Scarlett 18i20 3rd Gen

Love is in the "Air"

Focusrite’s outstanding reputation for building high-quality mic preamps has been established for over three decades now, and much of this expertise has been included in the third generation of Scarlett interfaces via the brand-new integrated Air Mode, which when selected opens up and brightens the high end in a way that is intended to emulate their classic ISA preamps – or, as the British manufacturer puts it, to provide “unique high-end detail for vocals and acoustic guitar”. Decades of experience really do speak for quality in this case, and the AD/DA converters provide optimum clarity and detail with a maximum bit depth of 24 bits and frequency rates of up to 192kHz.

input level display on the Focusrite Scarlett 18i20 3rd Gen

The power of 18

The Focusrite Scarlett 18i20’s 1HU rack format is suitable for professional studios. The eighteen flexibly designed inputs should be fit for any purpose, and the ten analogue outputs mean you can, for example, create alternative monitoring mixes or integrate outboard effects units. Two headphone outputs, a word clock, and a built-in talkback mic neatly round off the picture. What is more, the integrated MIDI interface can be used to connect a master keyboard, for example, since a sound generator of four XLN Audio Addictive Keys is already included in the bundled software package.

power switch and headphone jack on the Focusrite Scarlett 18i20 3rd Gen

About Focusrite

Founded in 1985 by Rupert Neve, Focusrite quickly made a name for itself with high-quality analogue consoles. Today, the company markets audio interfaces, mic preamps, consoles, analogue EQs, and channel strips as well as hardware and software for digital audio processing. The company is based in High Wycombe, England, and has won numerous industry awards. In addition to the Focusrite Pro line, the company also has subsidiaries that include Adam Audio, Novation, and iOS app creator Ampify Music.

Get started right away

The newly designed “gain halos” (the red and green LED rings around the gain controls on the front panel) are intended to make it easier to adjust gain settings, so that budding producers can start recording immediately after buying the interface. To make things simpler still, Focusrite has included a “Quick Start Tool” and put together an impressive and comprehensive package of free software, some in the box and some available for download, which includes Ableton Live Lite, Pro Tools Artist, Focusrite Red Plugin Suite, Focusrite Control, Softube Time and Tone Bundle, a three-month subscription to Splice Sounds, and a software tool of four XLN Audio Addictive Keys of your choice.

Different programs found in the Hitmaker expansion

Hitmaker Expansion

The Hitmaker Expansion contains software tools for further enhancing your music productions: Guitar sounds with Softube Marshall Silver Jubilee 2555, tuning options for vocals with Antares Auto-Tune, reverb effects with Relab's LX480 Essentials, the XLN Audio Addictive Drums 2: Studio Rock kit, and the XLN Audio Addictive Keys Studio Grand Piano. Additionally, an EQ and compressor are offered with the Focusrite Red Plug-in Suite, a full channel strip offering an EQ, de-esser, compressor, limiter, gate, and expander with Bx_console Focusrite SC, and finally, two months with the Landr Studio mastering tools with five free masters to add the finishing touch to your projects. With the Hitmaker Expansion, you get both the interface and a selection of tools, so you have all the software you need to get started.

front of the Focusrite Scarlett 18i20 3rd Gen

In the spotlight: Solo, 2i2, 4i4, 8i6, 18i8, and 18i20

The third generation of Scarlett interfaces comprises the Solo, 2i2, 4i4, 8i6, 18i8, and 18i20 as well as two bundles, the Solo Studio and 2i2 Studio, each of which includes a microphone and headphones. The abbreviations 2i2, 4i4, etc. specify the number of inputs and outputs. In other words, “2i2” stands for two (i)nputs and two outputs, and 4i4 accordingly stands for four (i)nputs and four outputs. The “Solo” bends the rules in this respect, since it actually features two inputs and two outputs – the name instead suggests that it is intended for solo artists or singer/songwriters.

388 Customer ratings

4.7 / 5

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227 Reviews

Interface on another level
lapsio 18.04.2020
I have never in my life even remotely thought that interface can change my workflow this much. Integrated zero-latency hardware 1 bus mixer is game changer since... it works even if PC is turned off and interface is unplugged. It means that you can actually set this interface up in such way that when PC is off Scarlett 18i20 can behave as pass-through device passing any line-in of your choice (eg. inputs 7-8) directly to your main XLR monitors. It makes it really easy to connect multiple either balanced or unbalanced devices to monitors. Kinda like... monitor controller or actual mixer AND interface in one device.

Really nice. Value added by this device is simply incredible. Also it works under Linux (as of today there's kernel patch available on linuxmusicians fixing implicit USB feedback issue).

The only issue I have with this device it's that it has ONE bus mixer. Means you can create one "custom mix" aka virtual mixer (with whichever physical or software inputs you like) and then assign this one mix output it to whichever outputs you like but there's only ONE such stereo mix. It means that you can't for example pass line-in 7-8 to out 1-2 and line-in 5-6 to out 3-4 as that would require 2 independent virtual mixers which is not possible.

- standalone 1 bus mixer
- signal level meters and other back lit indicators look super dope
- 10 built-in output channels (a lot of devices have only 8). In general great i/o
- rubber caps to cover rack ears mounting holes if you don't use them
- kind of works with Linux as well as smartphones

- standalone ONE bus mixer
- i believe more controls should be exposed as physical buttons. Eg. AIR switch which is physical on some other Scarlett devices.


A PITA for Linux users
Mercs 13.01.2021
While physically speaking the quality of this unit is great, the software implementation leaves a lot to be desired. Many configuration options, such as extending the number of inputs through the ADAT connection, require using the Focusrite Control proprietary software suite, which is only available for Windows and Mac. Why not make all options configurable without a PC, and especially without a proprietary piece of software?

This device desperately needs hardware controls for user settings. With that, all Focusrite would really need to do to provide Linux support is to make the device USB class compliant. Unfortunately, since the driver is proprietary, the Linux driver is a reverse-engineered one that works but still has some issues, the device being as new as it is. The free/open source community will fix the driver issues in time, and the device is already quite usable, but all the troulbe make one beg the question: why make things so difficult, Focusrite?

Otherwise, the device is fine. Lots of inputs right into your PC - what more can you ask for.


Great device - shitty headphones amp :(
The Pirate 31.03.2023
Bought it several months ago for my studio.
Amazing for recording several analog and digital instruments simultaneously.
Great sound, easy to operate, very high quality pre-amps.
Lots of outputs and inputs.
It should have been one of the best for its price range except for the annoying fact that the headphone amps are shit.
unless you use head phones with 55 ohms impendence you'll get immediate distortion. And when you do use headphone with 55 ohms or higher it sounds like shit, but without the distortion.
You can get by with proper headphones if you are recording and use the headphones as monitors. But for a mix, it's unusable.
Not sure what Focusrite were thinking when they've done this.
I have no choice and need to buy a headphones amp.
If you are not using headphones for a mix or have a good headphones amp, it is highly recommended.


Price/performance workhorse.
Denizathan 23.03.2023
The best card I could find for the price which enables to do anything. Physical channels can be expandable with a preamp via an optic cable. 8 physical inputs are mostly enough for fieldwork.

It makes pops and clicks when recording long sessions for more than 15 minutes but they don't appear in the recording. So it's a small issue with hearing part I guess. Work with higher bitrate and ignore the clicks.

Software interface is fairly intuitive and enables users to make alternative monitoring. Drivers are working without problem with Voiceomeeter Banana stuff. My old Steinberg card does not work with them properly.

The biggest issue I can say is headphone preamps are not very powerful. Even if you hit the max level you can hear a quiet playback with DT-770 Pro 250 ohms. I have to use Behringer's headphone amp to amplify the sound especially on field recordings.

The design and quality of the material (knobs etc.) are exquisite.

Just buy and try if you think of it because its very easy to sell because there are too many of them running around.


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