iZotope RX 8 Standard

iZotope RX 8 Standard (ESD); audio restoration software; profound process control with extensive set of parameters and less artifacts; Guitar De-noise is a module dedicated to reduce or completely remove electrical amp noise and interference, fret or string squeaks, and harsh pick attacks; Loudness Control offers various modern loudness targets to conform production audio to broadcast requirements, numeric and history plot readout for integrated, short-term, and momentary loudness; Batch Processing allows to apply a full series of processors with Module Chain, views pertinent metadata and enables to export in multiple audio formats; Music Rebalance enables automatic stem creation, identifies vocals, bass, percussions and other instruments and allows to change the mixing balance or removing or isolating of stems; Instant Process allows fast revisions inside the spectrogramm; Composite View with up to 16 tracks allows to edit multitrack recordings; Repair Assistant can detect issues like noise, clipping, clicks and more and offers processing suggestion at three different intensities; Variable Time and Variable Pitch allows to control timing and pitch; De-bleed enables the reduction of unwanted bleeding noises like headphone bleed or click track bleed on vocal tracks etc.; Spectral De-ess mode transparently attenuates sibilance; Mouth De-click removes distracting mouth noise; Spectral Repair provides spectral editing of drop outs, background noises and so on; Voice De-noise reduces unwanted steady state or changing background noise like air conditioning, refrigerator hum etc.; De-plosive transparently repair plosives with a single click; Spectral De-noise attenuates steady state background noise; De-click eliminates clicks, crackles, pops and digital impulse noises; De-clip repairs digital and analog clipping artifacts; De-hum removes electrical hum and line noise; furthermore functions like normalize, fade, resample, dither and so on; contains 16 modules, 10 plugins and 18 utilities; supported formats (64-Bit only): standalone / VST2 / VST3 / AU / AAXnative; system requirements: Win8 (64-Bit) min., Mac OSX 10.13.6 min., internet connection

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Delay No
Dynamics No
Effect Filter No
Encoder/Decoder No
Equalizer No
Guitar amps/-effects No
Metering/Analyzing Tool No
Modulation Effects No
Multieffect / Plugin-Host No
Overdrive/Distortion No
Preamp / Saturation No
Psychoacoustic tool / Enhancer / Exciter No
Restauration Yes
Reverb No
Special FX No
Summer / Mixing Consoles No
Tape Simulation No
Pitch Shifter / Harmonizer / Timestretching No
Transient Processing No
Vocoder / Vocal effect No
Mastering Tools Yes
Hardware Controller No

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I was absolutely amazed with this software
Czarek Ksiazka, 02.11.2020
I recently started mixing podcast with really poor quality audio. Lots of unwanted noise, lots of reverb. It's recorded in poor conditions with 2 lowest quality usb mics. That software was a game changer. It generates really few artifacts compared to the other restoration tools. Even if you are a beginner in repairing audio files you are gonna love it. It's both: simple and advanced if you need it. It's expensive, but worth every penny. Bare in mind that it also takes a lot of your computers processing power, but it has some nice "preview" functions that help you work with offline processing if your computer is not powerful enough to do it in real time. The most amazing feature for me is "music rebalance" where you can separate vocals, bass, percussion and "other"(guitars, synths etc). Of course it won't do it 100%, but if you want a backing track without bass line, there you go. You want to learn precisely how drums are going in that one crazy lick but you don't hear them clearly, there you go. Absolutely amazing. Oh and my friend told me, before I bought it, that he poked the mic while recording and deleted it with iZotope and I was sold.
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Wirklich Klasse Tool Filtertool
woodyPTS, 19.12.2020
Ich nutze es ausschliesslich um aus Songs die einzelnen Komponenten zu filtern. Das funktioniert nicht immer gut aber meistens. Kommt sehr auf den Song an. Klare Instrumente und Vokale helfen dem Programm. Ich steh auf Funk, Jazz, Soul, RnB da passt es gut. Meist separiere ich mir die Bassline um Sie raushören zu können. Anschliessend nehm bearbeite ich den Song so, dass nur Bassline fehlt und ich kann prima dazu spielen. Augen zu und es fühlt sich faste echt an. Teuer aber sinnvoll!
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$299
Available immediately
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We can send you a download license immediately once you have purchased this product.

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