Portable Multitrackers

The multitracker is a great tool for musicians of all levels. It really can be a ‘studio in a box’ replacing many of the components of a traditional studio.

Portable Multitrackers
Portable Multitrackers

Welcome to our Portable Multitracker Online Advisor.

Owning a recording studio used to be something most musicians could only dream about - songwriters kept their ideas jotted on endless scraps of paper, or were forced to capture their creations on a poor quality two-track recorders. The advent of the compact audio cassette (developed in 1963) ultimately led to affordable, portable four-track machines such as the Tascam Portastudio, which debuted in 1979, bringing multitrack recording out of the commercial studio and within reach of the everyday musician. Although cassette-based machines could not provide the same audio quality as reel-to-reels, they served as a very useful tool for making demos. These recordings were often let down by the use of low quality peripherals - cheap microphones, pre-amps, and outboard, but even so, many top artists penned mega-hits using basic four-tracks, and some recordings even made it to the final mixes.

Advances in technology over the years have made it possible to produce much higher specification miniature digital studios at incredible prices. Offering anything up to 32 tracks, today’s models feature quality pre-amps, effects, digital editing, and even built-in drum machines - it’s never been easier and more affordable to record your own music.

Much in the same way that the first glimpse of a large mixing desk can appear intimidating, multitrackers can look a little bewildering and confusing on first inspection. But like the mixing desk, they can be broken down into separate sections – we’ll now take a further look at these to help to explain the overall process.

Our Online Advisor extends to several pages - you can jump from section to section using the index below or the navigation at the bottom of each page.

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Mooer GE 300

Multi-Effects Processor Integrated ToneCapture function with 4 modes (Amp / Stomp / Guitar / Cab) to capture the sound of your favourite gear, 108 High quality amp simulations, 43 IR (Impulse Response) speaker cab simulations, Support for additional Impulse...

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TC Electronic Polytune 3 Noir; Effects Pedal for Electric Guitar; compact polyphonic tuner/buffer, tuner in effectpedal size, Bonafide buffer circuitry preserves your tone through long cable runs and multiple effects, polyphonic tuning - tune all strings simultaneously, fast chromatic tuner...

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Native Instruments Komplete Audio 6 MK2

6-Channel Audio Interface 24-Bit / 192 kHz, 2 Mic/Line/Instrument Combo Inputs: XLR/jack 6.3 mm, 2 Line inputs: 6.3 mm Jack, 4 Line outputs: 6.3 mm Jack DC-coupled, S/PDIF input coaxial, MIDI input and output, 2 Stereo headphone outputs: 6.3...

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K&M 21427

K&M 21427, professional carrying case for 6 microphone stands, includes castors for easy and comfortable transport, case made of extremely durable 1680D nylon fabric, all seams hand-stitched in high quality, padded carrying handles and a durable zipper, castors included, dimensions:...

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RCF Art 312 MK III

RCF Art 312 MK III - full range passive speaker, 12"/1", 300W, 90x70° 12" woofer and 1" driver with 1.5" Mylar diaphragm, 8ohm, 127dB max, Speaker Twist in/out, plastic housing, pole mount adapter, 4 x M10-Flying points and 3 handles,...

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ADJ Contour

ADJ Contour; LED mirror ball effect; multi-colored beams crisscross back and forth at different speeds similar to a classic "fan style" effect; 36 lenses that project multi-colored beams of light from 27x 1.5W RGB LEDs; 15 built-in lightshows; controlled by...

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Lewitt LCT 040

Small Diaphragm Condenser Microphone Polar pattern: Cardioid, Max. SPL: 135 dB, Sensitivity: 18.8 mV / Pa, Dynamic range: 115 dB (A), Requires +48 V phantom power, Dimensions (Ø x L): 24 x 83 mm, Weight: 44.6 g

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Harley Benton Custom Line Thunder 99

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Fender CLSC SRS Mustang/Duo Case

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