Pigtronix Space Rip Micro

Pigtronix Space Rip Micro; Effectpedal for electric guitar/bass, analogue PMW Guitar-Synthesizer, Pulse width modulated sawtooth and square wave voices in multiple octaves, built in Tracking Engine to keep up with your fastest single note lines, replicating both pitch and dynamics, Knobs: Rate (Intensity), Mix, Tune, Sub (adds an additional voice one octave down from the input signal), Octave Switch for pure analogue Synth-Bass, True Bypass, 6,3mm Input/Output Jacks, Power Supply Connection, Curent Draw 100mA, Power Supply w/ 9 V Battery or a 9 V DC Power Supply (not included), optional Power Supply: Art. Nr. #409939, Body: (L x W x H) 150 x 375 x 175 mm (5,9" x 14,7" x 6,9"), Weight: 500 g (1,1 lbs).

Further Information

Effect Types Synthesizer
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Abgefahrene Sounds - begrenzt einsetzbar
JorgeMontana, 29.05.2021
Habe mir den Space Rip fürs Recording zugelegt, um damit Riffs und Powerchords zu unterlegen und im Mix mit ein paar Prozent schrägem Unklang anzureichern, evtl. auch ein paar Soli. Für diesen Zweck eignet sich das Teil vorzüglich - für sonst aber auch nicht viel. Auf der Bühne wüsste ich nichts damit anzufangen. Denn die abgefahren Sounds eignen sich eigentlich nicht als tragendes Element für einen ganzen Song und nutzen sich schnell ab. Irgendwann wird's einfach nervig und penetrant (okay, das mag auch ein bisschen Geschmacksache sein).
Wer den Space Rip für Stoner Rock und alternative Krachexperimente einsetzen will, muss sich im Klaren sein: Die Klampfe muss akkurat und sauber gespielt werden, sonst schmiert der Effekt kläglich ab und hinterlässt nur ein dissonantes Winseln. Auch wenn irgendwo eine Saite ungewollt mitschwingt, kann es mit der Herrlichkeit schnell vorbei sein.
Einzigartige monophone Analogsounds, schräg und krachig
Sehr gute Verarbeitung - das Ding ist klein aber ziemlich schwer
Einfache Bedienung, keine versteckten Funktionen
Begrenzt einsetzbar
Nicht geeignet bei "schlampiger" Spielweise
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Modulation Effects Pedals
Modulation Effects Pedals
The term ‘modulation’ in its broadest sense covers a range of sonic effects, from the subtlest chorus to ear-bending ring modulation.
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