Shure SM27-LC

Large Diaphragm Condenser Microphone

  • Cardioid
  • Switchable 15 dB pad
  • 3-Way switchable high-pass filter
  • Specially designed for stage use with amps or wind instruments!
  • Incl. Stand mount A32M
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Audio Examples

 
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  • Ballad Female
  • Ballad Female Processed
  • Soul Female
  • Soul Female Processed
  • Ballad Male
  • Ballad Male Processed
  • Soul Male
  • Soul Male Processed
  • Show more

Further Information

Tube No
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut Yes
Pad Yes
shockmount included No
USB Microphone No
12 Customer Ratings
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 /5
  • features
  • sound
  • quality
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Bassy Condenser
Pistol, 20.06.2020
Good if you want a dark sounding Mic.
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fr Original review (Show translation)
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Pourquoi n'est t'il pas plus employé ?
Jean-PhilippeA, 29.07.2012
Je voulais un bon micro pour enregistrer des amplis et ma voix (chant metal) et après etude, la linéarité de ce micro ma plus. Je fais avec tout ce dont j'ai besoin ! j'ai hate de le tester en studio et d'avoir l'avis d'un ingé son.
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de Original review (Show translation)
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Geniales Tom-Studio-Mic!!
RenéU, 07.12.2014
Ich benutze 5 SM27 für das recorden meiner TomToms ( 3 Racktoms, 2 Floor ). Bisher habe ich mit weit günstigeren Mikrofonen recordet, da ich dachte -klingt gut-, aber ich war dennoch nie zufrieden mit den Signalen. Die Übersprechungen waren furchtbar laut und muddy und da ich nicht Gate, war es immer etwas tricky die Toms zu mischen. Nun eine Lösung musste her und diese war SHURE, und ich habe es NICHT bereut!! Selbst als Profi lernt man nie aus. :-)

Der Sound der Toms ist ohne jegliches Prozessing einfach nur FETT! ( Gutes Drum und gute Pre Amps vorrausgesetzt). Übersprechungen hat man hier zwar auch, aber die sind so gering und so sauber, dass man die Toms einfach laut machen kann ohne das die Übersprechungen alles zumüllen! Das EQ 'en ist zum Kinderspiel geworden und das ganze Set klingt viel natürlicher und homogener.
Als Overheads verwende ich SHURE KSM32, Kick Beta52, Snares SM57, Hats KSM137. Insgesamt fahre ich 16 Ch. beim Drumrecording und alles in allem hat man mit diesen Mics einen absoluten profesionellen Sound, den man verkaufen kann. AMTLICH!

Ganz klare Kaufempfehlung für alle die einen Pro. Sound haben wollen!!
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Was will man mehr
Claude G., 11.09.2014
Lange Jahre habe ich mit den Overheads der Superlux Serie gearbeitet. Diese Mikrofone sind nicht schlecht, jedoch hatte ich keinen Vergleich.

Ich habe mich für die Shure Serie entschieden, da diese Robust sind und gut klingen.
Ich benutze sie für die Drums. Das Sm 27 verwende ich als Overhead Mikrofon. Ich habe mich auch in einem kleinen Raum für Grossmembran Mikros entschieden.

Ich bin nicht enttäuscht worden. Vor allem gefällt mir der sehr klare Sound dieser Mikrofone und die Einstellmöglichkeiten. Das Mikro ist sehr robust und einfach zu händelen.

Ich bin froh mich für Shure Mikros entschieden zu haben, ich kann das SM27 nur weiterempfehlen.
Nun habe ich den Vergleich, meine Investition war richtig
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$322
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