the t.bone GZ 400

Boundary Microphone

  • Condenser microphone
  • Characteristic: Super-cardioid
  • Frequency range: 50 Hz - 18 kHz
  • Sensitivity: -36 dB
  • 130 dB SPL
  • Impedance: 250 Ohm
  • Power supply via 1x 1.5 V AA battery
  • Weight: 350 g

Further Information

Polar Pattern Half Cardioid
Installation No

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Our most popular Boundary Microphones
89 Customer Ratings
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Great for theatre
Richard323, 12.10.2017
I bought 2 of these to try for a local drama group, in the past we've used overhead microphones but have had issues with feedback and clarity. They're also a pain to setup involving stepladders.

These boundary mics were bought as a test and they are impressive! The clarity is outstanding, a good natural sound. They're a doddle to set up and invisible to the audience. A pair of these at the front of the stage picks up the entire cast far better than overheads do - I'd advise being pedantic and measuring the distance that they're set up (I put the an equal distance from each other and the edge of the stage). We also have the bonus of being able to use them on pretty much any stage we use, there's no concern for fixtures or mounts.

As these as boundary mics they work less well on carpet and some EQ will be needed as footsteps do get amplified a fair bit.

For any amateur theatre group I can't recommend these enough. They're insanely cheap, the sound quality is great and most importantly they are rugged - you really don't need to worry if they get kicked by accident.
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Great Value and Quality
Adrian918, 29.12.2015
I have 8 of these and they fantastic for lectures, boundary miss on stages and also kick drums.

The housing is very well made and durable and the sound quality for the money is amazing.
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t.bone gz 400
Ton H., 24.11.2015
Een te gekke boundary microfoon die wij gebruiken voor het versterken van vleugels, 2 in een vleugel en je krijgt deze zeer goed versterkt over je P.A. zonder hinderlijke feedback. echt een top microfoon.
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Für Interviewaufnahmen bestens
Sauter, 14.01.2017
Habe dieses Mikrofon für Interviews gekauft, wenn mehrere Personen sitzend vor der Kamera interviewt werden.

Da das Mikrofon der Kamera deutlich zu viel Raumhall mit aufzeichnete und die Lavaliermikrofonie bei mehr als 2 Teilnehmern einfach nicht sinnvoll und günstig zu realisieren war, entschied ich mich für dieses Mikrofon.

Gefertigt aus Metall und daher ziemlich stabil. Unten mit Antirutschmatte. ca 3 Meter Kabel, Anschlüsse jeweils mit XLR, das "OUT"-Kabel ist 3,5 Klinke.
Box für Phantomspeisung dabei, die mit einer AA-Batterie arbeitet.

Unsere Interviewpartener sassen im Halbkreis um die Kamera, das Mikrofon ca 1 Meter davor auf einem Beistelltisch. Aufnahmen sind glasklar, hatten nahezu alle den gleichen Pegel, könnten etwas mehr Bass vertragen. Ansonsten ein TOP-Produkt für diesen Einsatzzweck.
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$49
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Available immediately
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