Orange Fur Coat

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Fuzz pedal

For electric guitar
Inspired by Foxx Tone Machine
Controls: Volume, Fuzz, EQ, and Octave (adds a higher octave)
Operation via 9V battery or optional 9 or 12 V DC power supply, 12 V increases the headroom and the output volume (not included in the scope of delivery, e.g. Art 233089)

30 30-Day Money-Back Guarantee

3 3-Year Thomann Warranty

Available since September 2017

Item number 420358

Sales Unit 1 piece(s)

Overdrive No

Distortion No

Fuzz Yes

Metal No

$155

The shipping costs are calculated on the checkout page.

240

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in Distortion Pedals

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23 Customer ratings

5 20 Customers 4 3 Customers 3 0 Customers 2 0 Customers 1 0 Customers

4.9 / 5

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14 Reviews

Noise machine, in the good sense...

Jimifeed2 23.01.2018

I never had a fuzz (except for digital simulations in multifx). I was attracted by the reviews online, and the possibility to mix the octave (and also by the killer artwork!), and I wanted to add a different character to my pedal board (I have a Keeley Tone Workstation with two overdrives).
Pros: tone is great, with tons of available gain. The tone control allows to shift from Big Muff to more modern territory. The octave is handy, although it works better on high notes with the neck pick-up: sounds a' la Jack White...while without octave you can easily get into Sabbath land!
Cons: quite noisy, and the volume/level control is not really effective. Gain is high even at minimum fuzz level, so dont expect to use it for delicate distortions. I have not tried it with 12V, the reviews mention it would increase volume and headroom.
Note of caution: be careful where you put it in the signal chain. A compressor afterwards would kill it, while a low gain overdrive changes its tone pleasantly.

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A fuzz for "fuzzers"

Mr. Jeckyll 11.02.2021

Quite particular sound. Like a chewing gum. Elastic and with a lot of flavour. Nothing to do with a fuzzface or a tonebender... neither a superfuzz. But all at the same time. Pretty personal sound with an agressive boost on the midrange. Between a moded (midrange boost) muff and that sound that we all have in our heads. Ade Emsley really did a good job with the pedal. That's on the fuzz side. When you kick the octave up shines like a freaking ball of fire.
Not the best pedal for chords and it takes time to fine tune. But it's worth the buying. The graphics are a plus, It looks awesome.

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Wow, What a Wild Pedal!

Diatonico 30.08.2022

This is not a delicate pedal, it's full-on fuzz madness. Works really well if fuzz faces and big muffs are becoming boring to you. It's a thick, hairy tone that charges the air with electricity even before you turn on the octave. It's not a gated or 'sputtering' fuzz but, like another commenter said, like 'chewing gum'.

Pros:
- Sturdy build
- Blend for the fuzz

Cons:
- It's impossible to tell if the octave is on or off by looking at it, so you could accidently have it on (or off) when you need it the other way around!
- a little bigger than your average pedal

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Brachial und eigenständig

Funkyfanman 31.05.2018

Das Fuzzpedal von Orange ist gebaut für den Gig. Schwer, massiv, mit Trittschutz vor den Potentiometern.

Getestet habe ich das Pedal mit einer Hagstrom Tremar Viking Deluxe an einem Mesa DC-5 und einem Ampeg Vl502.

Der Effekt verhält sich im Bypass absolut klangneutral und auch im eingeschalteten Zustand halten sich die Nebengeräusche in erfreulichen Grenzen.

Der Groundsound im normalen Modus, welcher mit den Reglern für Fuzz, Volume und Tone eingestellt wird, ist ein recht moderner, voller und basslastiger Fuzzsound. Der Zerre fängt schon bei unteren Reglerstellungen bei recht extremen Werten an, lässt sich aber klassisch über das Volumepoti der passiven Gitarre wunderbar zähmen. Der Grundsound eignet sich sowohl für harte Stonerriffs, als auch für Singlenotemelodien mit endlosem Sustain. Solosounds der dunkleren Sorte sind für das trotz der Brachialität immer noch differenziert klingende Pedal kein Problem.

Bei zugeschalteter Octave ist das Pedal zumindest mit Humbuckern eher für Solosounds zu gebrauchen; gerade bei höheren EInstellungen der Oktave werden Akkorde undifferenziert. Für Soli ist dieser Modus aber prädestiniert; der Sound ist extrem durchsetzungsfähig und abgefahren, klingt aber nicht nach einer einfachen Kopie der alten Klassiker.

Insgesamt handelt es sich hier um ein zwar relativ teures, aber vielseitiges und in allen Lagen gut klingendes Pedal mit zuschaltbarem Solosound. Einziger Kritikpunkt meinerseits: Die LED zeigt den Wechsel des Modus durch einen minimalen Farbwechsel an. Dieser ist oft schwer wahrzunehmen. Ein deutlicher Unterschied wäre hier wünschenswert.

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Fuzz pedal

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