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Monophonic Analogue Synthesizer

  • Limited special edition
  • 25 mini keys
  • Analogue signal path
  • Step sequencer (eight sequences with up to 64 steps)
  • Filter section with brute factor pot
  • Patchable modulation matrix
  • Steiner-Parker multi-mode filter (LP, BP, HP)
  • Voltage-controlled oscillator with overtone sub-oscillator
  • Oscillator mixer: Sub, Sawtooth, Square, Triangle
  • Pulse width
  • Ultra Saw
  • Metalizer
  • Synchronisable LFO with three waveforms
  • ADSR and gate envelope
  • Retractable knob for fine tuning
  • Pitch and modulation wheel
  • Octave button (-2 to +2)
  • Dimensions (L x W x H): 325 x 221 x 60 mm
  • Weight: 2 kg
  • Including power supply (12 V DC, 1 A), two patch cables (3.5 mm mini jack) and registration card

Connectors:

  • Line input: 6.3 mm jack
  • Line output: 6.3 mm jack
  • Headphone output: 3.5 mm mini jack
  • Pitch output: 3.5 mm mini jack
  • Gate input and output: 3.5 mm jack
  • MIDI input: 5-pin DIN
  • USB-B connection
  • Available since September 2025
  • Item number 620845
  • Sales Unit 1 piece(s)
  • Number Of Keys 25
  • Touch-Sensitive Yes
  • Aftertouch No
  • Split Zones No
  • Modulation Wheel Yes
  • Number of simultaneous Voices 1
  • Sound Engine Analogue
  • MIDI interface 1x In
  • Storage Medium None
  • USB-port Yes
  • Effects None
  • Arpeggiator No
  • Number of Analog Outputs 1
  • Digital Output No
  • Display No
  • Pedal Connections None
  • Dimensions 325 x 221 x 60 mm
  • Weight 2,0 kg
$270
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Brute form factor, UFO style

Arturia MicroBrute UFO, monophone analogue synthesizer

Arturia's MicroBrute UFO Edition revisits the compact analogue monosynth that helped define the Brute series, here presented in a striking limited-edition finish with space-black panels, all-black keys, and Martian-green graphics. Built around a fully analogue signal path with a single but capable oscillator, a Steiner-Parker multimode filter, and the Brute Factor feedback circuit, the MicroBrute UFO delivers solid basses, edgy leads, and unpredictable harmonic textures alike. A patchable Mod Matrix, onboard step sequencer, and a hands-on interface facilitate sound-design and pattern creation, all without screens or menu navigation. The MicroBrute keeps synthesis immediate and tactile, while its compact footprint fits seamlessly into desktop studios, portable live rigs, or larger hardware setups.

Arturia MicroBrute UFO, monophone analogue synthesizer

Single VCO, expanded range

The MicroBrute's voltage-controlled oscillator defies single-VCO expectations. Saw, square, and triangle waveforms can be blended and processed via Arturia’s Ultrasaw thickening, Metalizer waveshaping, and PWM modulation, while an Overtone sub/5th generator both reinforces fundamentals and adds harmonic layers – a feature typically found in multi-oscillator designs. The signal then passes through the classic Steiner-Parker multimode filter, offering low-pass, band-pass, and high-pass responses with self-oscillating resonance for aggressive tones. At the end of the signal path, the Brute Factor feedback circuit pushes the filter from subtle saturation to heavier distortion, adding weight, harmonic density, and the unmistakable Brute-series character.

Arturia MicroBrute UFO, monophone analogue synthesizer

Sequencing and modulation

The Arturia MicroBrute's onboard step sequencer – fully synchronisable to internal, modular, MIDI, or DAW clock sources – encourages pattern-based experimentation. Up to eight sequences (each with 64 steps) can be stored internally, allowing bass lines, riffs, or evolving patterns to be performed via the keyboard, pitch and modulation wheels, and then reshaped in real time. Tap tempo and rate controls allow on the fly timing adjustments, while the sequencer can be synchronised to internal or external clock signals. Modulation is immediate and hands-on: A classic ADSR envelope and an LFO (with three selectable waveforms) can be routed via the Mod Matrix to destinations like oscillator pitch, filter cutoff, or waveform modifiers. The LFO can run freely or sync to the clock, keeping modulations locked in at all times.

Arturia MicroBrute UFO, monophone analogue synthesizer

About Arturia

Arturia's success story began with software emulations of well-known analogue synthesizers such as the Moog Minimoog, Sequential Prophet-5, and Oberheim SEM. The popular software instruments included in the V Collection are still flagship products of the French developer today. Over time, Arturia has gradually expanded its range and now also offers a host of hardware devices, ranging from synthesizers and keyboard controllers to sequencers. Since then, the former software developer has thus also become a household name in the world of analogue synthesizers and other equipment.

Mod Matrix and connectivity

The MicroBrute’s patchable Mod Matrix greatly expands its modulation capabilities, allowing external CV control of parameters such as pitch, filter cutoff, pulse width, Metalizer, and other oscillator modifiers, while CV outputs provide pitch, envelope, and LFO signals for driving external devices. This modular-friendly architecture lets the MicroBrute switch from classic monosynth to modulation source and sequencer, greatly expanding its functionality. Connectivity is equally robust: MIDI In (5-pin DIN and USB) provide seamless integration with DAWs and hardware, while the external audio routes signals through the Steiner-Parker filter and Brute Factor circuit. 1/4” main and 1/8” headphone outputs complete the routing, for making it easy to connect mixers, interfaces, or personal monitoring.

In the spotlight

5 Customer ratings

4.6 / 5

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features

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3 Reviews

G
Awesome synth
Gioshka 18.02.2026
The synth sounds awesome. Its built very well with nice knobs and all kinds or adjustments and tuners. Only problem i had is that its a mono synth meaning it can play only one note at a time… but I wanted to play chords :(.
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D
Ottimo synth per principianti e per chi ama sperimentare.
DezMind 11.09.2025
Sono produttore da alcuni anni ormai e da un po’ mi balenava in testa l’idea di acquistare un synth analogico e il microbrute UFO cadeva a pennello. Versatile, leggero, esteticamente molto bello e ben fatto. Va dai suoni più aggressivi a più morbidi, facile da intuire e vasto nella sperimentazione per quanto sia monofonico. La parte semi-modulare è ottima per chi, come me, affronta per la prima volta la modulazione digitale.
In conclusione tra i suoi rivali (mi riferisco nella stessa fascia di prezzo) credo che sia tra le migliori scelte per parecchi generi musicali o semplicemente per divertirsi col sound design.
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H
Unidentified frequency oscillator
Heimwerker 09.03.2026
Nachdem ARTURIA's “Ur-MicroBrute” bereits zu Weihnachten 2013 unter dem einen oder anderen Tannenbaum gelegen haben dürfte, sind nicht nur einige Jahre ins Land gegangen, sondern auch etliche Testberichte und Tutorials zu dem Gerät veröffentlicht worden.
Als hauptamtlicher Gitarrist möchte ich mir daher an dieser Stelle nicht anmaßen, der Welt mein gefährliches Halbwissen als neue Wahrheit anzubieten.
Womit wir allerdings beim Thema wären: Eigentlich bin ich ja Gitarrist !
Um meinen Aufnahmen mit einer Synthesizer-Stimme neuen Glanz zu verleihen, war ich schon länger auf der Suche nach einem Gerät mit den Eigenschaften 'Kompakt, bezahlbar, wohlklingend – gern auch analog' und hatte dem MicroBrute seinerzeit bereits ins Auge gefasst, als dieser jedoch plötzlich vergriffen war.
Bei der Neuauflage im witzigen 'UFO-Design' habe ich dann sofort zugeschlagen, obwohl mir nach mehr als einem Jahrzehnt bereits andere Synthesizer zur Verfügung standen.
Hier also kein technisches Geschwafel, sondern lediglich Dinge, die mich wirklich überrascht haben:
1.) Nachdem ich in der Vergangenheit bereits Bilder vom MicroBrute in 'durchsichtig rot' gesehen hatte, erwartete ich ein deutlich leichteres Plastikgehäuse.
Pustekuchen – Das Teil ist ein recht massiver Brocken !
2.) Dem logischen Aufbau sei Dank, erschließt sich auch dem Laien das Sounddesign sofort,
die beiliegenden 'Presets' zum Auflegen habe ich bisher nicht einmal ausgepackt.
Allerdings können schon leichte Veränderungen der Einstellungen völlig andere Ergebnisse erzeugen, was unter anderem an den mischbaren Wellenformen liegt.
3.) Die Tastatur ist NOCH kleiner als die meines ARTURIA Keystep – was mich allerdings nicht weiter stört, da letzterer ohnehin die Steuerung meiner Geräte übernimmt, da mir ein Fensterchen daran freundlicherweise mitteilt, mit wie viel bpm ich unterwegs bin.
Wer darauf verzichten kann hat bereits im MicroBrute einen potenten Sequenzer.
Zum guten Schluss noch ein nicht zu unterschätzender Mehrwert: Wer endgültig der Sucht verfällt und bereits über den nächsten Schritt nachdenkt, dem bietet der Kleine die Möglichkeit, beispielsweise einem MOOG Mavis neben einer Tastatur auch einen Übersetzer von 5-Pol MIDI DIN auf CV / Gate zur Verfügung zu stellen, was im Ergebnis zu einem Supersynth auf kleinstem Raum führen könnte...
Ich denke bereits drüber nach :)
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