Harley Benton SC-450Plus HB Vintage Series

Electric Guitar

  • Vintage series
  • Body: Mahogany
  • Arched top: AAA flamed maple
  • Glued neck: Mahogany
  • Neck profile: C
  • Fretboard: Pau Ferro
  • Fretboard radius: 350 mm
  • Trapezoid inlays
  • Cream-coloured bindings on body and neck
  • 22 Medium jumbo frets
  • Scale: 628 mm
  • Nut width: 43 mm
  • Double action truss rod
  • Pickups: 2 Roswell LAF AlNiCo-5 vintage-style humbuckers
  • 3-Way pickup selector switch
  • 2 Volume controls with push/pull function for coil split
  • 2 Tone controls
  • Chrome-plated DLX hardware
  • DLX Tune-O-Matic bridge
  • DLX Kluson-style machine heads
  • Ex-factory stringing: D'Addario EXL .010 - .046
  • Colour: Honey Burst, high gloss
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Further Information

Colour Sunburst
Body Mahogany
Top Maple
Neck Mahogany
Fretboard Pao Ferro
Frets 22
Scale 628 mm
Pickups HH
Tremolo None
Incl. Case No
Incl. Gigbag No

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170 Customer Ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.7 /5
  • features
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Great design, build, & tone; iffy quality control
Lestercaster, 21.02.2019
This is a giggable LP tribute that's also a strong platform for electronics upgrades. I've ended up with 2 of these: #1 is a 2018 (blackwood fretboard) Honeyburst model, ordered new from Thomann. # 2 is a slightly earlier (rosewood fretboard) Vintage Burst, bought used from my guitar tech's store.

Here are my actual ratings, on a scale of 5. I'll average the 2 guitars, to provide a random sample of what you're likely to receive. Overall, my experience seems consistent with other reviewers':

5 for value and tone, especially at this price.

4.5 to 5 for design, basic build quality, and playability.

5++ for Thomann's responsiveness and service.

1.5 to 4.5 (yes, very wide range) for cosmetics and finish.

1.5 for quality control (QC).

The SC450+ is an affordable (obviously) LP copy that follows the classic vintage recipe, while adding some clever innovations.

The low price, iffy QC, and value are all real, and all share the same source: Thomann contracts directly with a factory in China, eliminating a wholesaler. So, for about half the price of (e.g.) an Epiphone LP, you get a vintage build recipe, better materials and components, and better ergonomics. You also get a combination of deep '50s neck, flush modern heel, and nice color schemes ? a combination that Gibson won't sell you at any price.

PRO'S:

The flush neck heel is brilliantly designed to solve the traditional LP problem of upper-fret access. Up to the 20th fret, access here is actually easier than on a Strat (because the heel is so sculpted). Up to the 22nd fret, it's still pretty easy. Better access than on a PRS Singlecut (SC/SE 245, etc.). Which is why I chose this.

The Roswell alnico 5 bridge pickup is wonderful. I swapped it for a Gibson Super '57 on my first SC450+, then found I missed it. (This is why I've kept my 2nd copy stock.) This pickup is bright without shrillness, and has body with no nasal honk. Surprisingly great tones, ranging from Allman Brothers to twang.

Split-coil sounds are very usable.

Full maple cap under the flame-maple veneer. (You can see the maple in the treble-side cutaway.)

Long-tenon neck joint, reputedly. (I haven't checked this, but the expected rich tone is definitely there.)

Weight is reasonable, around 9 lbs.

CON'S:

Cosmetic flaws are common (read on, and see other reviews).

Mahogany back on your copy might be anywhere from 2?4 pieces. (I've heard of, but not seen, 5. Mine are, respectively, 2 and 3 pieces.)

3-piece neck, counting a scarf joint and butt joint. (But this construction doesn't seem to degrade the tone.)

Neck binding runs fatter than Gibson spec, and looks plasticky.

NEUTRAL:

The Roswell neck pickup is punchy and entirely giggable, but a bit blunt. It's not muddy ? more like middy. Doesn't have the articulation of a good Gibson, PRS, or even Epi neck pickup. Fast attack from the alnico 5, which you might like for some styles.

Blackwood has replaced rosewood fretboards, to meet CITES export restrictions. Tonally, it's supposed to be very similar. But blackwood can have pronounced grain/color variations, which you might find either interesting or distracting. It also has an unusual feel, which takes a while to get used to: Strings slide around on it. If you've ever tried Ernie Ball's slippery Cobalt strings, regular strings feel like that on blackwood.

The fat neck binding on my Honeyburst copy developed some tiny cracks. I actually like the resulting, slightly distressed look. (Because I don't like plastic binding at all. I'd love a Harley Benton that omitted neck binding, as some LP Studio Deluxes and PRS Singlecuts/SC's do.)

By ordering one of these, you're taking a chance: You'll get a boxed copy that hasn't been inspected in Germany. Shipping to you is very inexpensive, because Thomann subsidizes it. Overseas return shipping is expensive. My experience has been that if you get a copy with problems, Thomann will offer you reasonable options for resolving it.

Here's what I actually got:

My Honeyburst copy sounds righteously full, and has great playability. (Low action with no buzzes.) The top has a pretty, faded-cherryburst finish, on a lightly flamed maple veneer. The back is 3-piece, cut so that the neck fits entirely into the middle piece. Both the back and neck are natural-finished mahogany, with faint grain. Setup was reasonably low and quite buzz-free, straight out of the box.

Problems? There's a sizable spraying blotch under the top's pretty finish, south of the bridge. There's another spraying blotch in the cutaway (which no one but me will see.) The blackwood fretboard has some pronounced color variations, fading to nearly bleached in some places. (The fretboard doesn't look at all bad, just unusual.) The neck binding is fat and also a bit uneven in width, tapering wider toward the upper frets. As mentioned above, it cracked slightly since arriving.

Thomann asked me to email them photos of the build flaws, then offered me the option of keeping the guitar for a partial refund. After staring at the guitar for a few days (and of course listening to it), I decided I could live with the cosmetic flaws, and took this option. I've since upgraded its pickups to a Gibson 57 Classic and Super '57. The guitar sounds nice, plays well, and has held stable action and tuning.

(Side notes: Thomann was outstandingly responsive, courteous, and helpful in resolving the cosmetic glitches, and also with an apparent wiring glitch that turned out to be a false alarm. I actually can't say enough good things about their customer service, and their English is better than most North Americans'. Also, the gummy coil-tap stickers that bothered some earlier SC450+ reviewers are gone. These are now PET stickers, which peel off easily and cleanly.)

My second SC450+ has a Vintage Burst top finish (2-color tobacco burst), over a lightly flamed veneer. Very elegant and classic look. One tiny blemish on the top, not sure if that's from the factory or the prior owner.

This copy also has a natural-finished mahogany back, but with nicely deep grain swirls. The back is 2 symmetrical pieces. (Unlike Epiphone/Gibson, Thomann doesn't veneer over back joins, so you can clearly see how many pieces are involved.)

As an older model, it's got a rosewood fretboard, with light grain and no cosmetic flaws. Same thick neck binding.

This copy required some setup to shake out some fret buzz. But I bought it used, so I can't blame Thomann for how its original owner adjusted or stored it. It set up fine, now plays well, and sounds robust and punchy with its stock pickups.

To sum up: You take pot luck when you order one of these, given the spotty QC. You might get anything from a near-perfect gem to a solid guitar with obvious cosmetic flaws. I can't say that you can't go wrong. But Thomann seems determined to ensure that you'll end up happy ? variously with a great guitar, a great deal, or a return. I'm doubly happy with two of them.
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The HB SC-450Plus Vintage Series Guitar
24.01.2016
So? I recently ordered my first HB guitars!

The Harley Benton SC-450Plus HB Vintage Series &
the Harley Benton SC-Custom Vintage Black

This review is looking at the SC-450Plus Vintage Series

First off? I have to admit that I was a little bit worried about making an order. I live all the way in the central US (Missouri), and I had no idea of how long it would take to get the guitars?nor, what kind of condition they would be in once I got them.

I placed the order on January 15th, and I received the guitars on January 23rd. From Germany, to the central US. In my opinion, that is pretty good time.

The guitars arrived with absolutely no damage. The large box carrying the equipment was full of those small packing air bags, which kept everything inside mint. The outside box did have a small bit of wear, but it wasn't anything at all substantial.

One reason I made the leap and ordered these guitars, was because I had reached a point in my playing where I was Stratocastered out. For years, that was what I played, and I had just reached a place to where I needed something different. I wanted something that could handle everything I've played in the past, but also something that would inspire me to go into a new direction.

The MWCHB alnico vintage-style humbucker pickups seem to be able to handle pretty much anything. I've played in choirs, at church, the blues, old fashioned rock, and really, just about everything in between. For the most part, Stratocasters get the job done, but I NEED something with a bit more edge. Both the SC-Custom and the SC-450Plus share the same pickups, and they more than meet that "dangerous" edge that I need from time to time in my playing. Single coils are nice, but they don't have that roar. With this, you are the king of the jungle!

The neck of the 450 is nice. I prefer it over the thinner neck of the SC-Custom. The frets are fine. No problem at all. The rosewood fretboard looked pretty. So far, I haven't had any tuning problems. I tuned it after receiving it, and it was only slightly sharp the next day. You have to remember though, this was after a lot of heavy playing!

The body of the 450 is solid. I'm guessing it weighs around 8 pounds? The neck is fixed onto the body tighter than the handle to an ax. No problems there.

I've seen some pictures of a few HB guitars where the flame top pieces don't match up very well. I've seen online one or two people complain about the ones they received. However, I can't do that with this. The pieces look fantastic together. In the right light, they look perfect. The right angle will show they aren't, but I'm not complaining at all!

To be honest, I find it hard to complain about anything. The only thing I wish would have been different is the pickguard. It's just a hard, blah piece of plastic. It doesn't really do anything for me..but it isn't a big deal. I could take it off if I wan't, but so far, I'm not planning on doing that.

Anyway, this guitar is amazing. It's worth the $150 or so price tag. You won't find ANYTHING nearly as good, for this price. More than likely, especially if you live in the US, you will have to pay 2..maybe 3.. times the price for something similar in quality.

These two guitars are the first of several I will be ordering. Thank you Harley Benton!
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Roar, 12.03.2018
Afordable and good looking vintage style LP.
Pros:
- as written in specifications, this guitar actually have real and thick maple top over mahagony body. Not veener, not print, but thick maple top, which is very rare to found in low level LP guitars.
- neck is straight, good, pretty low action (1.5mm), no dead frets, no buzz, very playable.
- very nice looking
- there are push/pull pots, some people will be happy because of that, although personally I don't see the meaning in splitting humbuckers... I bought guitar with humbuckers because I don't like the sound of single coil.


Cons:
- frets need good and long polishing, because their surface was pretty rough. This maybe should not go under "Cons", as guitar is only 160 ?, so this task to do is somewhat acceptable. On expensive guitars you don't have to do that, but this is not expensive but very cheap guitar.
- no shielding in cavities, same as above
- hardware and plastic parts are cheap
- screew that holds metal clamp on pickguard, is long enough to touch guitar body and sratch finish. my advice is to replace it immediately, before you get mark.
- some minor imperfections

Pickups are somewhere in the middle...can be used, although are bit weak for high gain, but will be enough for some time, at least at the begining. Advise is to use noise gate if you want to crank it up. Neck pickup sound melow and nice, especially with a touch of delay and crunch. But with better aftermarket pickups, I'm sure this guitar will sing.
Regarding hardware, keep in mind that this guitar cost less than a decent pair of humbuckers. So it is not possible to squeeze in Grovers or Gotoh, plus mahagony, maple, nice finish and decent neck.
There is still a lot of place for improvement, but important is that overall price at the end will still be more than affordable.
If you can live with few imperfections on solid, very playable and affordable guitar, then go for it. Stock hardware will be sufficient for some time, and later you can transform this guitar into nice instrument.
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Great for the price (only 10% of a Les Paul Standard)
Kevin51, 20.06.2017
I was looking for a copy Les Paul to practice on and also to change the strings to 11 guage. I am fortunate enough to have access to a Gibson Custom Shop Les Paul and a Fender Stratocaster but as I spend 99% of my time practicing 'unplugged' I wasn't too worried about the quality of this practice guitar. The Harley Benton guitar I ordered from Thomann came and I was 100% impressed by the quality (except the scratch plate which was very badly scratched but Thomann have replaced this free of charge)
The finish is excellent. The neck has exactly the same feel as the Custom Shop Les Paul but the sustain when unplugged is fantastic! I like to play in the style of Paul Kossoff (from Free) and even unplugged and with full finger vibrato (even with the original 10-46 strings that came with the guitar) I managed to sustain a note on the 13th fret of the 3rd string for 7 seconds and even a Les Paul unplugged can't do that!
Plugged in, it doesn't of course have the quality of a Les Paul but when you think that this Harley Benton (with a mahogany body and neck and the maple cap) is only about 10% of the cost of a genuine Les Paul Standard in the UK it is fantastic value.
My only small cristism is as this guitar's first two knobs are push up and down to switch between a Humbucker sound and a single coil (which is great) and there are two labels inserted under these knobs telling you of this. Instead of having an 'easy peel' sticker they were stuck so hard to the bodywork that it took me two hours to get them off using my fingernails, cigarette lighter fuel and a pair of tweezers. Fortunately the varnish is so good it didn't appear to damage the guitar but perhaps Thomann could get this problem sorted out with their suppliers as all it needs is a simple supermarket type sticker around the knobs or a leaflet in the box. We only need to be told once. P.S. I used a 2mm plectrum to get that Paul Kossoff sound.
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Show variations of this product
Harley Benton SC-450Plus HB Vintage Series
(170)
Harley Benton SC-450Plus HB Vintage Series

Electric Guitar Vintage series, Body: Mahogany, Arched top: AAA flamed maple, Glued neck: Mahogany, Neck profile: C, Fretboard: Pau Ferro, Fretboard radius: 350 mm, Trapezoid inlays, Cream-coloured...

  • Colour: Sunburst
  • Body: Mahogany
  • Top: Maple
  • Neck: Mahogany
  • Fretboard: Pao Ferro
  • Frets: 22
  • Scale: 628 mm
  • Pickups: HH
  • Tremolo: None
  • Incl. Case: No
  • Incl. Gigbag: No
Harley Benton SC-450Plus LD Vintage Series
(346)
Harley Benton SC-450Plus LD Vintage Series

Electric Guitar Vintage series, Body: Mahogany, Arched top: AAA flamed maple, Glued neck: Mahogany, Neck profile: C, Fretboard: Pau Ferro, Fretboard radius: 350 mm, Trapezoid inlays, Cream-coloured...

  • Colour: Amber
  • Body: Mahogany
  • Top: Maple
  • Neck: Mahogany
  • Fretboard: Pao Ferro
  • Frets: 22
  • Scale: 628 mm
  • Pickups: HH
  • Tremolo: None
  • Incl. Case: No
  • Incl. Gigbag: No
Harley Benton SC-450Plus CB Vintage Series
(116)
Harley Benton SC-450Plus CB Vintage Series

Electric Guitar Vintage series, Body: Mahogany, Arched top: AAA flamed maple, Glued neck: Mahogany, Neck profile: C, Fretboard: Blackwood, Fretboard radius: 350 mm, Trapezoid inlays, Cream-coloured...

  • Colour: Sunburst
  • Body: Mahogany
  • Top: Maple
  • Neck: Mahogany
  • Fretboard: Pao Ferro
  • Frets: 22
  • Scale: 628 mm
  • Pickups: HH
  • Tremolo: None
  • Incl. Case: No
  • Incl. Gigbag: No
Harley Benton SC-450Plus VB Vintage Series
(296)
Harley Benton SC-450Plus VB Vintage Series

Electric Guitar Vintage series, Body: Mahogany, Arched top: AAA flamed maple, Glued neck: Mahogany, Neck profile: C, Fretboard: Blackwood, Fretboard radius: 350 mm, Trapezoid inlays, Cream-coloured...

  • Colour: Sunburst
  • Body: Mahogany
  • Top: Maple
  • Neck: Mahogany
  • Fretboard: Pao Ferro
  • Frets: 22
  • Scale: 628 mm
  • Pickups: HH
  • Tremolo: None
  • Incl. Case: No
  • Incl. Gigbag: No
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