Search Results - Page 1 - "Dunlop Authentic Hendrix '68 Shrine Series Fuzz Face"

Dunlop Jimi Hendrix Fuzz Face Mini

118

Exact replica of the original circuit of JHF1 Hendrix Fuzz Face
Legendary Fuzz Face sounds
Pedalboard friendly dimensions

Dunlop Germanium Fuzz Face Mini Red

53

Germanium transistors as in a fuzz of the 60's
Legendary Fuzz Face sounds
Pedalboard-friendly dimensions

Cranborne Audio Carnaby 500

24

Analogue EQ circuit that uses harmonic saturation to boost and cut frequencies
Parametric LO and HI shelving bands with ±10 dB cut/boost
Parametric MID band with ±10 dB cut/boost and fixed Q factor

Rupert Neve Designs 542

33

API 500 Format
Tape saturation emulator
Trim control (+/-12 dB PreTape Level Control)

Cranborne Audio Brick Lane 500

1

PWM compression circuitry and unique ‘stress’ control for harmonically enriched compression effects
Six compression modes: Velvet, Float, Smash, Tame, Glue and Polish
Threshold

Drawmer FC1 FET Compressor

1

Fully featured soft-knee FET compressor with short attack and release times
Stepped potentiometers
BIG and AIR modes for boosting low frequencies and enhancing clarity in the high-frequency range

Dunlop Jimi Hendrix Strap Festival

102

Jimi Hendrix Woodstock Design
Material, pattern and embroidery faithful to the original used by Jimi Hendrix
Artwork inspired by concert posters and visual art by Jimi Hendrix himself

Harrison Audio 32Cpre+

2

Jensen JT-MB-CPCA transformer-coupled microphone preamplifier
+20 to +70 dB Gain
HP and LP Filter

Midas Legend L10

97

Low noise power supply with 3.2 A @ ±16 V and 300 mA @ +48 V
Width: 448.31 mm
Height (without feet): 132.40 mm

Neve 1073LBEQ Module 500er API

6

Mono EQ in the 500 series API format
Gain indicator with signal LED
Bypass switch

Neve 1073LB Preampmodule 500er API

95

The 500 series API format
Based on the well-known Classic 1073
Legendary Class A design Neve sound

Midas Legend L6

95

Low noise power supply with 3.2 A @ ± 16 V and 300 mA @ +48 V
Designed and developed in U.K.

Heritage Audio OST-4 V2

43

On Slot technology (power regulation for each individual slot)
Link function (each channel can be linked to the next channel at the touch of a button)
Power supply with 400 mA per rack

Drawmer OC1 Opto Compressor

1

Classic optical compressor in 500-series module format
Soft-knee characteristic for natural and musical compression
Stepped potentiometers

Harrison Audio MR3eq

4

+/- 10 dB boostc/ cut range
HF 800 Hz - 15 kHz, 6 dB / Octave Shelf band
LF 40 Hz - 800 Hz, 6 dB / Octave Shelf band

Zähl EQ1

12

API 500 format
Amplification range for all bands between +/- 5 dB and +/- 15 dB switchable
Treble: Frequency adjustable from 2 - 20 kHz, characteristic switchable Shelf / Bell

WesAudio Rhea

5

Construction: 500 module
100% Analogue signal path with +24dBu headroom
Carnhill input transformers

Neve 88RLB Preampmodule 500er API

22

The 500 series API format
Based on the known 88RS module
Legendary Neve sound

Casio CS-68 PBK Privia Stand

47

For Casio PX-S1000/ PX-S1100 and PX-S3000/ PX-S3100
Colour: Black

WesAudio Pandora

5

With digital recall and automation
Analogue design
24 dBU Headroom

WesAudio Prometheus

4

With digital recall function
+24 dBu headroom
Low Section Boost and Cut: 20, 30, 60, 100, 120, 250 Hz

Trident Audio 80B-500 EQ

13

Identical to the Trident Series 80 console
Low frequency range between: 60 Hz and 120 Hz switchable
High frequency range between: 8 kHz and 12 kHz switchable

Elysia xmax 500

13

Multiband compressor with low, mid and sidebands
Soft clipper
Variable crossover frequency between low and mid band

Heritage Audio OST-10 V2

8

On Slot technology (power regulation for each individual slot)
Link function (each channel can be linked to the next channel at the touch of a button)
Power supply with 400 mA per rack

Harrison Audio Comp

2

Programme-dependent attack time
Controls for ratio, threshold and release (variable release time from fast to slow)
Clip LED

SSL 500-Series Bus Comp. MKIII

32

With highpass filter in sidechain
500 Series - stereo dynamic module
Bus compressor

SSL 500-Series UltraViolet EQ

49

Fusion Violet with minimum-phase high- and low-shelving filter
Two additional fully parametric mid-band EQs, each with focus mode for targeted frequency processing
Switchable high-pass filter (off/30/40/50Hz)

SSL 500-Series 611 EQ

27

500 series
SSL 4000 E Series circuit
"Black-242" and "Brown-02" twin EQ design

AMS RMX16

2

Access to the basic reverb parameters of each programme (pre-delay, decay time and decay filter)
Input, output, and mix (wet/dry) levels can be set globally
18 Different reverb programmes

Trident Audio SC2 500 Optical Compressor

6

500 Series Module
Analogue signal path
Maximum input level: +22 dBu

API Audio 512v Preamp

13

Microphone preamp with 65 dB gain
Line and instrument pre-amplification with 45 dB gain
Button for 3: 1 output transformer

Elysia nvelope 500

18

Discrete Class-A topology
Full range mode
Dual band mode

IGS Audio Rubber Bands 500 Mastering EQ

22

500 Series module format
Q factor: -0.5 to 4
Boost/cut range: +/- 15 dB

Empirical Labs Pump

5

Adjustable input level with clip LED
8 Selectable compression ratios (2:1 to 20:1)
Adjustable attack time (200us bis 40ms)

Cranborne Audio 500R8

11

8 I/O channels with XLR
USB audio interface with 28 in / 30 out
Monitor controller

Cranborne Audio 500ADAT

6

With integrated 8 In / 8 Out ADAT expander
8 I/O channels with XLR
8 Channel discrete analogue summing unit

SSL 500-Series SiX Channel

27

Channel strip with SuperAnalogue microphone preamplifier and 5-step LED display
48 V phantom power
Phase and HPF switch

Rupert Neve Designs 511

48

1 Channel Mic preaamp with 500 Module formfactor
+48V Phantom power can switched On and Off
8 Segment LED Level-Meter

WesAudio Hyperion

9

Analogue parametric equaliser with +24 dBu headroom and digital recall function in 500 module format
Stereo / Dual mono / Mid / Side operating mode
Switchable gain range for 5 dB boost or 15 dB cut per band: HF - 2 kHz to 25 kHz (bell or shelf)

Gibson Les Paul 68 Custom Reissue EB

18

Custom Shop model
Top: arched maple
Body: solid mahogany

Cranborne Audio Camden 500

27

Linear, transparent microphone preamplifier
2 Discrete analogue saturation circuits for sound colouring
THD+N: 0.0002 %.

Rupert Neve Designs R6

34

8 Channels I/O with XLR, jack and SubD/DB25 connectors
LED Metering for electricity consumption monitoring
48V Phantom power available per channel

SSL 500-Series 611 DYN

14

500 series
Compressor Limiter
SSL 4000 Series circuit

SSL 500-Series VHD+ Preamp

9

Ultra Clean SSL SuperAnalogue Grade Preamplifier
Switchable VHD system adds controllable 2nd or 3rd harmonic distortion
Switchable LF filter (15 Hz to 500 Hz)

Elysia karacter 500

24

100% discrete class-A topology
Dual mono / stereo link
Integrated M / S-matrix

API Audio 312 Mic Pre

5

Max. 69 dB gain
Totally discrete circuit design with 2520 op-amp
Proprietary AP2516 input transformer

Gibson Les Paul 68 Custom Ebony ULA

1

Murphy Lab model
Arched top: Maple
Body: solid mahogany

SPL BiG

26

Range: Selects the frequency range to be processed
Stage: Selected frequency range can be moved backwards or forwards on the stereo stage
Bigness: Adjusts the intensity of the stereo image

Chandler Limited TG2 500 Preamp

19

+60 dB gain
Switchable +48V phantom power
Phase switchable

IGS Audio One LA 500

19

VU Meter
Limiter/compressor mode
Gain-output level

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