Search Results - Page 1 - "MXR Jimi Hendrix Psych Series Uni-Vibe Chorus/Vibrato"

MXR M68 Uni-Vibe Chorus/Vibrato

123

Chorus/ vibrato
Legendary sound of the Uni-Vibe of the late 60s
Controller for speed, level and depth

Fender Jimi Hendrix Strat OWH

117

Artist Signature Series - Jimi Hendrix model
Body: Alder
Neck: Maple

Electro Harmonix Good Vibes Univibe

51

The Good Vibes re-enacts the iconic Univibe effect of the 1960s, but ...
Like the original, it uses photoelectric cells to create warm chorus and ...
Controls: Volume, Intensity, Speed

Dunlop Jimi Hendrix Strap Festival

102

Jimi Hendrix Woodstock Design
Material, pattern and embroidery faithful to the original used by Jimi Hendrix
Artwork inspired by concert posters and visual art by Jimi Hendrix himself

Dunlop Jimi Hendrix Fuzz Face Mini

118

Exact replica of the original circuit of JHF1 Hendrix Fuzz Face
Legendary Fuzz Face sounds
Pedalboard friendly dimensions

Marshall 1959JMH Jimi Hendrix He Bundle

Marshall 1959JMH Jimi Hendrix Head
Marshall 1960AHW Jimi Hendrix Cabinet

MXR M 234 Analog Chorus

275

Analog chorus pedal for electric guitar
EQ with controls for bass and treble
Effect control with controls for Level, Rate and Depth

Hal Leonard Jimi Hendrix Complete Scores

11

52 Songs from the albums "Are You Experienced", "Axis:Bold as Love", "Electric Ladyland" and "Band of Gypsys
Complete arrangements for band (vocals,guitar/s,bass and drums) transcribed in original score form
In standard notation and tablature

MXR M 83 Bass Chorus Deluxe

79

Chorus / Flanger
Analogue circuit
Stereo operation can be selected via an internal switch

Marshall SV20H Jimi Hendrix Bundle

Marshall SV20H Jimi Hendrix Head
Marshall SV212 Jimi Hendrix Cabinet

Rupert Neve Designs 542

33

API 500 Format
Tape saturation emulator
Trim control (+/-12 dB PreTape Level Control)

Cranborne Audio Carnaby 500

24

Analogue EQ circuit that uses harmonic saturation to boost and cut frequencies
Parametric LO and HI shelving bands with ±10 dB cut/boost
Parametric MID band with ±10 dB cut/boost and fixed Q factor

Cranborne Audio Brick Lane 500

1

PWM compression circuitry and unique ‘stress’ control for harmonically enriched compression effects
Six compression modes: Velvet, Float, Smash, Tame, Glue and Polish
Threshold

Drawmer FC1 FET Compressor

1

Fully featured soft-knee FET compressor with short attack and release times
Stepped potentiometers
BIG and AIR modes for boosting low frequencies and enhancing clarity in the high-frequency range

Midas Legend L10

97

Low noise power supply with 3.2 A @ ±16 V and 300 mA @ +48 V
Width: 448.31 mm
Height (without feet): 132.40 mm

Harrison Audio 32Cpre+

2

Jensen JT-MB-CPCA transformer-coupled microphone preamplifier
+20 to +70 dB Gain
HP and LP Filter

Midas Legend L6

95

Low noise power supply with 3.2 A @ ± 16 V and 300 mA @ +48 V
Designed and developed in U.K.

Neve 1073LB Preampmodule 500er API

95

The 500 series API format
Based on the well-known Classic 1073
Legendary Class A design Neve sound

Neve 1073LBEQ Module 500er API

6

Mono EQ in the 500 series API format
Gain indicator with signal LED
Bypass switch

Heritage Audio OST-4 V2

43

On Slot technology (power regulation for each individual slot)
Link function (each channel can be linked to the next channel at the touch of a button)
Power supply with 400 mA per rack

Zähl EQ1

12

API 500 format
Amplification range for all bands between +/- 5 dB and +/- 15 dB switchable
Treble: Frequency adjustable from 2 - 20 kHz, characteristic switchable Shelf / Bell

Drawmer OC1 Opto Compressor

1

Classic optical compressor in 500-series module format
Soft-knee characteristic for natural and musical compression
Stepped potentiometers

Boss CH-1 Chorus

579

Brilliant sound with clear trebles
Built-in equaliser
Level, EQ, Rate and Depth adjustable

MXR Phase 90

432

Rugged metal casing
Non-slip rubber base
Phaser with "Speed control"

Harrison Audio MR3eq

4

+/- 10 dB boostc/ cut range
HF 800 Hz - 15 kHz, 6 dB / Octave Shelf band
LF 40 Hz - 800 Hz, 6 dB / Octave Shelf band

WesAudio Rhea

5

Construction: 500 module
100% Analogue signal path with +24dBu headroom
Carnhill input transformers

MXR Flanger/Doubler

Based on the MXR rack unit, which was used on numerous recordings in the 1970s and 1980s
Doubler mode produces effects ranging from vibrato, chorus and slapback delay
The flanger mode produces metallic beats reminiscent of a jet aircraft

Neve 88RLB Preampmodule 500er API

22

The 500 series API format
Based on the known 88RS module
Legendary Neve sound

tc electronic Afterglow Chorus

337

Chorus
Vintage style
Controls: Rate, Depth, Mix

MXR M290 Phase 95

49

Phaser
Phase 45 (2-stage) and Phase 90 (4-stage) circuits in mini pedal format
Two switchable phaser styles (vintage / modern)

Boss DC-2w Dimension Chorus

100

Waza series
Analogue Chorus
4 Switches for mode selection

WesAudio Pandora

5

With digital recall and automation
Analogue design
24 dBU Headroom

SSL 500-Series UltraViolet EQ

49

Fusion Violet with minimum-phase high- and low-shelving filter
Two additional fully parametric mid-band EQs, each with focus mode for targeted frequency processing
Switchable high-pass filter (off/30/40/50Hz)

Boss BF-3

156

The legacy of the legendary BF-2
The best Boss Flanging effects
New ultra- and gate / pan modes for ultra-fat flanging

Heritage Audio OST-10 V2

8

On Slot technology (power regulation for each individual slot)
Link function (each channel can be linked to the next channel at the touch of a button)
Power supply with 400 mA per rack

WesAudio Prometheus

4

With digital recall function
+24 dBu headroom
Low Section Boost and Cut: 20, 30, 60, 100, 120, 250 Hz

SSL 500-Series Bus Comp. MKIII

32

With highpass filter in sidechain
500 Series - stereo dynamic module
Bus compressor

Tone City Angel Wing - Chorus

66

Chorus
Completely analogue design
Warm, smooth effect that does not change the character of the equipment

SSL 500-Series 611 EQ

27

500 series
SSL 4000 E Series circuit
"Black-242" and "Brown-02" twin EQ design

Trident Audio 80B-500 EQ

13

Identical to the Trident Series 80 console
Low frequency range between: 60 Hz and 120 Hz switchable
High frequency range between: 8 kHz and 12 kHz switchable

Flamma FC05 Multi Modulation

122

Digital multi modulation effect
With 11 different algorithms
Power supply: 9 V, 130 mA

Electro Harmonix Small Stone

427

Classic phaser sound
True bypass
Rate control

AMS RMX16

2

Access to the basic reverb parameters of each programme (pre-delay, decay time and decay filter)
Input, output, and mix (wet/dry) levels can be set globally
18 Different reverb programmes

Harrison Audio Comp

2

Programme-dependent attack time
Controls for ratio, threshold and release (variable release time from fast to slow)
Clip LED

API Audio 512v Preamp

13

Microphone preamp with 65 dB gain
Line and instrument pre-amplification with 45 dB gain
Button for 3: 1 output transformer

Dunlop Jimi Hendrix Love Drop Strap

47

Material, pattern and embroidery faithful to the original used by Jimi Hendrix
Artwork inspired by concert posters and visual art by Jimi Hendrix himself
High quality fabrics and workmanship

Trident Audio SC2 500 Optical Compressor

6

500 Series Module
Analogue signal path
Maximum input level: +22 dBu

Electro Harmonix Small Clone

580

Analogue chorus
The legendary Kurt Cobain sound
True bypass

Fairfield Circuitry Shallow Water

67

Combines Vibrato/Chorus/Flanger sounds
The K-Field is a non-linear field modulator that produces pitch differences through small delay modulations
Rate/Damp/Depth/LPG/Mix/Volume controls

IGS Audio Rubber Bands 500 Mastering EQ

22

500 Series module format
Q factor: -0.5 to 4
Boost/cut range: +/- 15 dB

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