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Presence and identity
The discussion about Hammond clones will never end. Much comes down to playing style and taste.
I have a MAG C2, which is wonderful and refined, but needed a second organ, for back-up, and to keep my options open.
I have had the Mojo Suitcase for about half a year, and so far it holds its own.
I shyed away from the Crumar Mojo earlier, because of the control layout of previous models. But the new series is different, with no controls on the top surface - and I love the suitcase version for its firm cover, and the cut-outs for easy handling. For my need, and because of the cover, I just have the dedicated soft bag. Works well, and saves on weight, compared to a flight case.
I am a fairly heavy-handed blues organ player, but also employ some delicate playing. This organ does both. I like the action of the key bed, and for live applications, direct control of click, perc amount and more is very useful - even if the variation is not massive. And direct access to the three-band EQ, is nice, because no setup is ever precisely the same. Very practical, very real gig oriented. I am, however, considering clearer labels for some controls, they can be difficult to read on the fly. Lights in buttons and the logo may be a bit overdone, but in on stage, it can actually be quite helpful.
And not least: this organ has a presence, warmth and identity, that cuts through and blends well with the band. As if it actually wants you to play it. Some other clones I've tried appear bland, sometimes shrill with the upper drawbars engaged, but the Crumar is very engaging. Both 2nd and 3rd percussion sound good, the vibrato/cohorus is more than decent, and so is the overdrive. Add to this the option to customise numerous settings from your phone or tablet, and you have a very engaging, practical and enjoyable instrument.
And yes, the MAG C2 does sound more authentic, more delicate, and is my choice for recordings, but I quite often prefer to gig with the Mojo. It's handy, has some useful features, not least for live situations, doesn't cost a fortune, should an accident happen - and not least it has this very engaging sound.
Later: Had to send it back to Thomann, because of a key gone silent - good service, and returned in good repair within a few weeks, but still... it's a major item to ship.
Also: The finish of the paint job is not too great. little chips and scratches come too easy. Am considering some sort of laquer to make it more durable. for now, a black marker does the joc.
But I still love the instument - it's a lot of organ and a lot of fun for the price.
I have a MAG C2, which is wonderful and refined, but needed a second organ, for back-up, and to keep my options open.
I have had the Mojo Suitcase for about half a year, and so far it holds its own.
I shyed away from the Crumar Mojo earlier, because of the control layout of previous models. But the new series is different, with no controls on the top surface - and I love the suitcase version for its firm cover, and the cut-outs for easy handling. For my need, and because of the cover, I just have the dedicated soft bag. Works well, and saves on weight, compared to a flight case.
I am a fairly heavy-handed blues organ player, but also employ some delicate playing. This organ does both. I like the action of the key bed, and for live applications, direct control of click, perc amount and more is very useful - even if the variation is not massive. And direct access to the three-band EQ, is nice, because no setup is ever precisely the same. Very practical, very real gig oriented. I am, however, considering clearer labels for some controls, they can be difficult to read on the fly. Lights in buttons and the logo may be a bit overdone, but in on stage, it can actually be quite helpful.
And not least: this organ has a presence, warmth and identity, that cuts through and blends well with the band. As if it actually wants you to play it. Some other clones I've tried appear bland, sometimes shrill with the upper drawbars engaged, but the Crumar is very engaging. Both 2nd and 3rd percussion sound good, the vibrato/cohorus is more than decent, and so is the overdrive. Add to this the option to customise numerous settings from your phone or tablet, and you have a very engaging, practical and enjoyable instrument.
And yes, the MAG C2 does sound more authentic, more delicate, and is my choice for recordings, but I quite often prefer to gig with the Mojo. It's handy, has some useful features, not least for live situations, doesn't cost a fortune, should an accident happen - and not least it has this very engaging sound.
Later: Had to send it back to Thomann, because of a key gone silent - good service, and returned in good repair within a few weeks, but still... it's a major item to ship.
Also: The finish of the paint job is not too great. little chips and scratches come too easy. Am considering some sort of laquer to make it more durable. for now, a black marker does the joc.
But I still love the instument - it's a lot of organ and a lot of fun for the price.
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