Digital Converters

Dante AVIO Analog Output Adapter 0x2

Enables the output of analogue audio line signals from a Dante network
RJ45 Metal plug with built-in LEDs
2 XLR male outputs

Focusrite Clarett+ OctoPre

With 2 JFET instrument inputs
24-bit A/D and D/A conversion with up to 192 kHz sample rate
Fully analogue relay-controlled "Air" circuitry in each preamp, to emulate the classic Focusrite ISA 110

Tight AV Dante 2-channel Input Adapter

Converts analogue line signals and feeds them into a Dante network
96 kHz / 24 bit
Robust housing

Behringer ADA8200 Ultragain

Successor to the Behringer ADA8000 Ultragain
8-Channel AD/DA transformer 24-Bit at 44.1/48 kHz
8 Integrated microphone amplifiers (designed by MIDAS)

Swissonic Converter AD 24/192

Converts analog to S / PDIF
24 bits / 192 kHz
Outputs: 1 S / PDIF coax, 1 S / PDIF optical

8 EVO microphone preamps with Smartgain
2 JFET instrument inputs
8 Line outputs

Up to 24-bit / 96 kHz
Frequency range analog input to Dante output 44.1/48 kHz: 20 Hz to 20 kHz +0.1 dB / -0.5 dB
Frequency range Analog input to Dante output 88.2/96 kHz: 20 Hz to 40 kHz, +0.1 dB / -0.5 dB

Swissonic HAD-1

With USB 2.0 port
24 Bit 96 kHz
Headphone output: 6.3 mm jack

Avid Pro Tools MTRX Studio

16 Line inputs/18 Line outputs
2 Mic inputs
2 Instrument inputs on the front panel

DiGiGrid MGB - Madi BNC

Up to 128 channels in/out at 48 kHz
Up to 64 channels in/out at 96 kHz
0.8 MS Latency

Digigrid MGO - Madi Optical

Up to 128 channels in/out at 48 kHz
Up to 64 channels in/out at 96 kHz
0.8 MS Latency

Ferrofish A32 Pro Dante MM

Up to 24-bit / 192 kHz
32x32 Analogue inputs and outputs, balanced on D-Sub25 (Tascam format)
64 Dante inputs and outputs via dual Ethernet socket with a redundancy function

SteadyClock FS
LC display
16 Line inputs: Sub-D25

An AD-converter with a fully balanced design
117 dBA
Switchable analogue and digital limiter on the AD side

Ferrofish A32 Pro MM

Up to 24-bit / 192 kHz
32x32 Analogue inputs and outputs, balanced on D-Sub25 (Tascam format)
Balanced 6.3 mm jack stereo main output with a dedicated DAC monitoring path

Up to 24 Bit / 96 kHz
Frequency range analogue input to Dante output at 44.1/48 kHz: 20 Hz to 20 kHz (+0.1 dB/-0.5 dB)
Frequency range analog input to Dante output at 88.2/96 kHz: 20 Hz to 40 kHz (+0.1 dB/-0.5 dB)

RME ADI-2 DAC FS

Sample rates: 44.1 kHz up to 768 kHz
High-resolution playback of PCM, DXD and DSD at up to 768 kHz
SteadyClock FS

RME ADI-2/4 Pro SE

SteadyClock FS
RIAA equalisation
Display

It enables the transmission of audio signals via an Ethernet network
Converter: 24-bit / 96 kHz
Overload indicators and signal indicators for the analogue input signals

Ferrofish Pulse16 DX

24bit / 96kHz converter
2 x TFT display for levels and settings for complete overview of all levels and settings on the device
Jacks for quick and easy cabling

Antelope Orion 32+ | Gen 4

AD/DA converter with up to 130dB dynamic range at 24bit / 192kHz
4th generation Antelope 64-bit clocking technology
Control panel with preset recall and customisable signal routing matrix

Ferrofish Pulse16

24 Bit / 96 kHz converter
Jack sockets for quick and easy wiring
All I/Os (32 analog channels) can be used at 96 kHz

Robust construction optimized for live and event applications
Simple routing with the help of three switches
Each input can be routed to any number of outputs

Avid Pro Tools Carbon Pre

Especially suitable as AVB extension of an existing Avid Pro Tools Carbon interface
Up to two Carbon Pre can be operated in combination with one Carbon base unit with 32 bit / 192 kHz throughout
Built-in control via Pro Tools software

Dante AVIO Bluetooth IO Adapter 2x1

For the connection of a computer, tablet or smartphone to a Dante network via Bluetooth
Ideal for recording or playing back a stereo signal
Robust housing

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