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Goo quality and high level of output
I wanted a pair of humbuckers to replace the pickups of my PRS se custom 24.
I heard a lot of good about DiMarzio CrunchLab and LiquidFire so I've decided to try them.
Result is : the output level is very high, witch could be good or bad, depending on what you want.
I've configured the electronic the have those pickups splitable, witch turns out to be a good choice and makes my PRS highly polyvalent.
To my mind, we have here a pair very good humbuckers, high quality, but more designed for metal or hard rock.
As a Blues player and if I had to choose again, I think I would give a shot to The Seymour Duncan JB & 59 instead.
I heard a lot of good about DiMarzio CrunchLab and LiquidFire so I've decided to try them.
Result is : the output level is very high, witch could be good or bad, depending on what you want.
I've configured the electronic the have those pickups splitable, witch turns out to be a good choice and makes my PRS highly polyvalent.
To my mind, we have here a pair very good humbuckers, high quality, but more designed for metal or hard rock.
As a Blues player and if I had to choose again, I think I would give a shot to The Seymour Duncan JB & 59 instead.
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Z
What guitar is this sensor for?
He doesn't fit LesPaul, strings are outside of the magnets (bridge position).
On a clean sound, lacking high frequencies.
However, not everything is so bad.
There is a high level of output signal, good protection, several options for inclusion.
But alas, what guitar is not put, get the sound MM JP6/JP7 failed (I have MM JP7).
On a clean sound, lacking high frequencies.
However, not everything is so bad.
There is a high level of output signal, good protection, several options for inclusion.
But alas, what guitar is not put, get the sound MM JP6/JP7 failed (I have MM JP7).
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