R
Sounds good, VERY suitable for active basses.
A previous review of this pedal initially made me hesitate, but Iβm glad I gave it a chance. I donβt know what active bass was used in that other review, but I can confirm it works great with a Dingwall NG3 (Darkglass preamp), a bass with EMG-J pickups and EMG EQ, and another bass with EMG MMTW and MMCS pickups paired with a Darkglass preamp. All of these are 18v circuits.
This Morley wah absolutely screams the way it should on the six Metallica songs where Cliff used it (Anesthesia (Pulling Teeth), Seek & Destroy, For Whom the Bell Tolls, Fade to Black, The Call of Ktulu, and Orion). It shows just how powerful this effect is for metal bass β a sound we sadly only got a glimpse of because of Cliffβs early passing.
The controls are simple: fuzz is on/off, and the wah engages when you press down the expression pedal. At first, it can take a moment to find the βsweet spotβ where the wah clicks in, but once you get used to it, itβs reliable. Keep in mind that Cliff often left the pedal parked with his foot in a resonant spot instead of rocking it constantly like Kirk does. There's no wet/dry mix for the effect, so definitely some of your bass frequencies will get cut, but that's the authentic sound of a fuzz pedal. This unit should be used for solo, not to follow the song.
Overall, Iβm really happy with the sound this pedal gives my active basses. One tip: put a compressor before it in the chain β it keeps the signal tight and avoids pops or cracks.
This Morley wah absolutely screams the way it should on the six Metallica songs where Cliff used it (Anesthesia (Pulling Teeth), Seek & Destroy, For Whom the Bell Tolls, Fade to Black, The Call of Ktulu, and Orion). It shows just how powerful this effect is for metal bass β a sound we sadly only got a glimpse of because of Cliffβs early passing.
The controls are simple: fuzz is on/off, and the wah engages when you press down the expression pedal. At first, it can take a moment to find the βsweet spotβ where the wah clicks in, but once you get used to it, itβs reliable. Keep in mind that Cliff often left the pedal parked with his foot in a resonant spot instead of rocking it constantly like Kirk does. There's no wet/dry mix for the effect, so definitely some of your bass frequencies will get cut, but that's the authentic sound of a fuzz pedal. This unit should be used for solo, not to follow the song.
Overall, Iβm really happy with the sound this pedal gives my active basses. One tip: put a compressor before it in the chain β it keeps the signal tight and avoids pops or cracks.
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CW
Unleash the Beast: Cliff Burton's Legacy in a Pedal
If you're chasing that iconic Cliff Burton tone, this pedal delivers in spades. The wah is expressive and responsive, capturing the essence of tracks like "Anesthesia (Pulling Teeth)" and "For Whom the Bell Tolls." The fuzz is thick and aggressive, adding a layer of grit that's perfect for metal bass solos. The modern enhancements, like the switchless activation and standard 9V power, make it gig-friendly without compromising on tone. Built like a tank, it's ready to withstand the rigors of the road. Whether you're a die-hard Metallica fan or just looking to add some serious character to your sound, this pedal is a must-have.
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EC
Cliff Burton Tone!
If you want to sound like Cliff, definitely you will need this Pedal! I'm really happy!
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L
Amazing pedal great tribute to cliff
Amazing pedal sounds good looks good
R.I.P cliff
R.I.P cliff
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