To the page content

22 Channel Mixer

  • 17 microphone inputs with 3-band EQ on all channels with variable mid-frequency control (channels 21/22 feature a standard 3-band EQ)
  • 14 inserts and 12 single-button compressors
  • Channels 15–20 feature microphone inputs and stereo line inputs
  • 1x 3.5 mm stereo jack line input
  • 2x4 USB interface
  • Built-in GigFX effects unit with 24 effects
  • 100 Hz low-cut filter
  • Two Hi-Z switches
  • 48 V phantom power
  • Headphone connector
  • Three AUX/monitor outputs with dedicated sends per channel
  • Two stereo subgroups with assignment per channel
  • Footswitch connector
  • iOS support with optional Lightning to USB 3.0 camera adapter for connection to iPad and iPhone (adapter not included)
  • Dimensions (H x W x D): 112 x 612 x 434 mm
  • Weight: 9 kg
  • Includes Waveform OEM Recording Software
  • Suitable transport bag: Art. 473657 (not included)
  • Suitable dust cover: Art. 485230 (not included)
  • Suitable case: Art. 516397 (not included)
  • Available since November 2019
  • Item number 473567
  • Sales Unit 1 piece(s)
  • Parallel usable Channels 18
  • Mic Ins 17
  • Stereo Ins 4
  • Master Out XLR
  • Number of Pre Aux max. 3
  • PC Interface USB-B
  • Multitrack Recording No
  • USB/SD Direct Record No
  • PFL Yes
  • Effect Processor 1
  • USB Play No
  • Bluetooth Play No
  • Foot Switch Switch
  • Matrix Mixer No
  • Zones 0
  • 19" Rackmount No
  • Width 612 mm
  • Depth 434 mm
  • Height 109 mm
  • Weight 9 kg
  • Simultaneous channels 18
  • Mic-In 17
  • Mono Line Ins 17
  • Mono Line-in 17
  • Stereo-In 4
  • Hi-Z Input 2
  • Phantom Power 48 V
  • Aux Ways 4
  • max. Pre Aux Channels 3
  • Audio Interface Input 4
  • Interface Input 4
  • Audio Interface Output 2
  • Interface Output 2
  • USB/SD Direct Recording No
  • Low Cut Yes
  • Insert Yes
  • Inserts Yes
  • Parametric Yes
  • Parametric EQ Yes
  • Compressor Yes
  • Panorama Yes
  • FX Processor 1
  • Lamp Connector No
  • Lamp connection No
  • Footswitch Switch
  • Bag 473657
  • Rackmount No
$689
The shipping costs are calculated on the checkout page.
In stock
1

22-channel USB mixer with FX

Mackie's ProFXv3 series of compact USB mixers upholds the company's long-standing reputation for reliable, professional-grade mixing across live performance, broadcast, and studio environments. Designed for real-world workflows – from rehearsal spaces and small venues to fixed installations and mobile production rigs – each model features high-resolution 24-bit/192kHz USB recording, onboard GigFX effects, Mackie's signature Onyx mic preamps with EQ, and latency-free monitoring via dual USB returns. As one of the largest models in the ProFXv3 range, the ProFX22v3 offers seventeen mic inputs, four aux sends, four subgroups, and compression across twelve channels. Its scale and routing depth make it a strong fit for full bands, live venues, and production environments that require large input counts and complex submixes.

Mackie ProFX22v3, audio interface

Onyx at its core

The Mackie ProFX22v3 is equipped with seventeen Onyx microphone preamps, each providing up to 60dB of clean gain with low noise and ample headroom for vocals, acoustic instruments, and dynamic sources. All mic channels feature three-band EQ with a hard bypass switch and variable mid-frequency control, along with switchable 48V phantom power and 100Hz low-cut filters. Built-in one-knob compression is available on twelve channels, allowing fast and effective dynamic control across key sources such as vocals, drums, and instruments. Effects are supplied by the preset-based GigFX engine, offering 24 reverbs, delays, choruses, and other time-based treatments that can be dialled in quickly for live use or subtle creative shaping. Effects can be muted instantly via a dedicated button or an optional footswitch, keeping performance control immediate and intuitive.

Mackie ProFX22v3, audio interface

Where it fits

With its high channel count and extensive routing options, the Mackie ProFX22v3 is designed for live sound engineers, venues, and production teams managing complex stage setups or multi-source mixes. Four aux sends support multiple monitor mixes or external processing chains, while four subgroups make it easy to control sections such as drums, backing vocals, or playback channels from a single fader. Compared to the ProFX16v3, the ProFX22v3 is built for scale, offering greater input capacity and mix organisation without sacrificing the familiar ProFX workflow. It's an ideal solution for users who need a large, hands-on analogue mixer with modern USB recording and monitoring capabilities, without stepping into digital console territory.

Mackie ProFX22v3, audio interface

About Mackie

In 1988 Greg Mackie, already a successful co-founder of a pro audio company, founded Mackie Designs Inc. with the goal of producing affordable, high-quality mixers. The company's first official product, the LM-1602 line mixer, was initially produced within the four walls of his home. As sales figures were encouraging, its successor model CR-1604 soon followed - and in 1991 the company finally moved into its first proper production facility. The combination of reliable quality and low prices quickly brought the company enormous success, so that by 1995 Mackie had already sold 100,000 products. In 2003, the company was renamed LOUD Audio, LLC so that there is no longer any confusion between the Mackie brand and its former parent company of the same name.

Keep it clean

The Mackie ProFX22v3 doubles as a 2-in/4-out audio interface, capturing the main mix at up to 24-bit/192kHz while providing two independent stereo returns from the DAW. This makes it straightforward to work with backing tracks, reference audio, or click tracks alongside live inputs – whether recording vocals, rehearsing arrangements, or capturing a livestream or live performance straight to disk. To support recording and production, the mixer comes bundled with Waveform OEM – a powerful DAW with unlimited audio and MIDI tracks – along with the DAW Essentials Collection, a suite of 16 professional plug-ins covering EQ, compression, reverb, delay, and modulation.

In the spotlight

14 Customer ratings

4.7 / 5

handling

features

sound

quality

8 Reviews

DA
Dovud Abduvaliev 05.04.2024
We use these mixer for small church services. It's simple in handling. So i recommend these mixer for u:)
handling
features
sound
quality
4
0
Report

Report

google translate de
Unfortunately there was an error. Please try again later.
T
Mackie pro fx 22 v3
Tastenhengst 12.02.2020
Ich nutze den Mixer für den live Einsatz einer Band. Er ist einfach und schnell zu bedienen. Der Sound ist sehr transparent, tja einfach gut. Es gibt eigentlich nichts zu meckern..Preis/Leistung stimmt!
handling
features
5
1
Report

Report

google translate fr
Unfortunately there was an error. Please try again later.
B
Qualité des faders, aie !
Ben1980 02.07.2025
Acheté en mars, le temps de recâbler tout mon studio je m'aperçois que la sortie SUB1-2 présente un faux contact permanent. Dommage car c'est justement pour les 2 sorties SUB que j'ai choisi ce produit...La qualité de contrôle qualité à l'assemblage n'est visiblement pas au niveau !
J'espère que Thomman pourra réagir immédiatement en m'envoyant un unité de remplacement car j'ai besoin de cette table pour mon travail de Product Manager chez un fabricant de produit audio...
handling
features
sound
quality
0
0
Report

Report

google translate de
Unfortunately there was an error. Please try again later.
KE
Mixer für Studio bzw. Proberaum
Klopf Edi 09.05.2020
Ein Mixer für Studio bzw. Proberaum musste her.... aber die Auswahl ist erdrückend hoch!

Erste Frage: Analog oder digital?
Nachdem im Proberaum die Fernsteuerung über Tablett oder Handy nicht im Vordergrund steht, hingegen ein schneller Korrekturgriff an die Regler attraktiv ist und die digitalen Pulte mit Reglern im Verhältnis sehr teuer sind ... analog!
Szenen oder Events abspeichern ist nicht unbedingt erforderlich ... analog!
Effekte, plugin's andere zusätzliche "Zauberkästchen" gleich mit an board zu haben ist im Proberaum nicht unbedingt erforderlich ... analog!

Zweite Frage: Sound?
Der Anspruch an den Sound: Für diesen Anwendungsfall bitte sehr hoch! ....onix Vorverstärker müssen her!

Dritte Frage: Recording / Schnittstelle zur digitalen Welt?
Alle Optionen sollen zumindest offen bleiben: USB und gleich ein passendes Softwarepaket dazu ....analog, onix Vorverstärker, digitale Schnittstelle und Software (hier ProTools | First und Waveform inklusive).

Vierte Frage: Wieviele Eingänge?
Das System offen halten (Man (n) weiß ja nie)! Der Preisliche Unterschied zu Versionen mit weniger Anschlußmöglichkeiten ist hier nicht so groß! .... also 22.

Fünfte Frage: Preis?
Musiker-gerecht .... Oje?!

Ergebnis:
Der Mackie profx22 v3 erfüllt offensichtlich die Anforderungen perfekt....

Bestellt, ausgepackt, anschschlossen und eingeschaltet: Juhu
Der Mixer kommt "thomann-like" gut verpackt und super rasch daher. Der erste Eindruck: Amerikanisch! Alles da aber ohne design - Schnickschnack. Das Blechgehäuse wirkt stabil und wartungsfreundlich fast ein wenig vintage, die ANSCHLÜSSE sind wertig die Drehregler sind etwas eng angeordnet (fummelig?), ist halt ein Zwangspunkt der Architektur, wenn die Gesamtabmessungen klein gehalten werden sollen...

Soundcheck: Wawawuuuums

Für die Softwareinstallation muß man sich etwas Zeit und Muse mitnehmen. Einige Registrierungen sind erforderlich, aber es geht. Eine entsprechende Installationsanleitung (step by step) wäre nett... gibt es aber nicht.
Das fette Softwarepaket braucht natürlich etwas Zuwendung, bis man halbwegs ferm die Überflut an Möglichkeiten handeln kann.

Tipp: Es gibt für diese Programme gute Einstiegsvideos im Netz: youtubbbbbe

Fazit:
Der Mixer wird den Proberaum nicht verlassen, die Anforderungen wurden wirklich erfüllt und die Erwartungen sogar übertroffen. Ich freue mich auf hoffentlich viele musikalische Stunden...
handling
features
14
3
Report

Report