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Shure SM57 LC
- 53480 Customers
3480 customers have given this product a 5-star rating.
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- 340 Customers
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- 15 Customers
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It's a cardioid pattern mic with very strong off-axis rejection, a presence boost around 4 kHz, and a good-roll off in the lower frequencies which makes up for the proximity effect. Like its slightly younger brother the SM58, the 57 is almost indestructible, and almost every part is replaceable in case you do find a way to destroy something. If you find a Shure Unidyne, then this is an older model of essentially the same microphone.
The mic itself is very weighty and feels strong and robust, extremely well constructed. No lead but you get mic clip and carry pouch in the box!
This is a microphone which is suitable for all jobs. As mentioned in other reviews, it is widely used for drum kits and guitar amps etc., but as it was actually first designed for classical instruments, it can be used very effectively for acoustic instruments as well (tested on a harp and electro-acoustic guitars).
The sound of the SM57 up against an amplifier cabinet, such as a Marshall 4x12 or a Fender Bassman, is part of the classic sound of rock, and advanced modelling systems like the Roland VG-99 emulate a 57 up against a cabinet and at various distances, both on and off axis.
People often compare it to its brother the SM58 - but at least in my opinion the 57 has that bit more class when recording a multitude of sounds and I always prefer using it.
All in all, it's no wonder the SM57 is considered the industry standard workhorse microphone - can't go wrong with buying one (or two... or three ;) )! I've used 57s for longer than I care to admit, in various situations (both in the studio and live) and I've never been let down by one so I always highly recommend them!
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It's true what everybody says about SM57. This mic is a legend. I don't know if I can say anything bad about it, because it reproduce the sound perfectly. It has a clear and warm sound.
I've used it for guitar amp, bass amp, vocals, acoustic guitar and drums, and so far I was very pleased of the output. From my point of view, this is more suitable for live applications, since it doesn't enter in feedback so easily, and in studio I will be using it for guitar / bass amps and toms; otherwise I would go with condensers. But sometimes, even if you have a mic suited for a specific task, it is a good idea to add one of this. It will make the sound more natural.
Like SM58, it's made of metal, looking like it would last a life time. Don't freak out about the rotating / wobbling cap. It is mentioned in the specs that it's supposed to be like that. And unlike SM58, this one is smaller. So.. from my point of view it is worth every penny, even more. I believe this is a must have mic.
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It's a workhorse and it's sound really good. Also works well on vocals with the optional A2WS pop-stopper.
The way this mic handles low-end, I much prefer to the SM58 for vocals. The 58 gets a lot more boomy when you get close. The 57 handles this much better in my opinion.
Despite the 57 and 58 having the exact same capsule, they sound quite distinctly different. Both good, tho.
And it's build like a tank. I do live audio, primarily. This thing is just a go-to. And I've never experienced one malfunction, in spite of how roughly stage gear is handled.
We expect our gear to hold up the "abuse," and this mic certainly does that.
And it's compact enough to easily fit 2 of these, plus the mic clips in a single mic bag.
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Utilising an RE20 as my main studio mic with an EV635A omnidirectional as my tough, go anywhere outdoor location mic - something was missing. I found myself in need of a general use directional microphone for use at indoor locations whilst on the road, which could also be used as a secondary mic in my studio for guest use.
After reading reviews and relying on gut reaction, (which hasn't yet let me down) I plumped for the SM57. What has surprised me is the sheer vocal quality and depth of this latest acquisition. On it's first outing, recording a subject on location in her lounge at 20-30cm produced a rich, realistic recording with just enough room ambience to stop things sounding sterile and one dimensional. Perfect! Place the mic closer and you get even deeper tones with no downside. So far, I reckon on 50cm as a maximum to maintain directional quality.
For my type of use, I also appreciate that I can just point and record with a minimum of faffing about such as setting up angles and distances etc. Keep the distance within 50cm (closer outdoors) and you won't be disappointed. The body is reassuringly weighty and robust which gives the perception of longevity. The carrying bag is a nice extra and I use the Shure A55M anti-shock clamp which isolates any vibration really well.
And the plastic voice coil guard that freely swivels 360º? I still haven't a clue!
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It's a 57 after all...
Throw anything at it, it can take it. Couldn't have picked a better first mic for my arsenal. I think everyone should have at least one or two of these.
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Best overall mic for music there is in my experience. Sure you could get much more expensive mics, and record ants feet, but if you want to do a r'n'r record and don't know where to start, start by buying one of these (at least one)
Great rounded up, familiar classic sound, no harshness, no dullness, no hype, no lies, just honest meat and potato sound.
No super details also, but experienced professionals know that all the relevant information is here.
Classic for snare, and guitar cabinets, but also great for r'n'r vocals, bit more open then SM58, little less rejection of outside noise. Very often used for toms too.
Built like tank, feels like cold weapon in hand, no switches, no fuss, that cap at the tip is sturdier than it looks.
This mic for me in every aspect captures essence of r'n'r, from its build to its sound, from its history to its value. It is in the long run THE best value there is as you will probably never have to get rid of it.
If you don't know what to buy, buy this, you won't miss.
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However, I do not have any experience with this mic in a studio, but I have heard amazing things. Frankly, if it could perform so well in such loud settings on a stage where a lot of things are unpredictable in terms of sound distribution through the venue, I am sure it can be tweaked to utter perfection within the confines of a studio.
Most heartily recommended!!!
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i've recorded various different pianos, guitars, vocals, foleys, even background noises and you can do it all with this. the fact that it's extremely versatile still leaves me in shock. i've used way more expensive microphones than this, yet i keep coming back to this beauty just in case my experimental recordings with different mics won't work.
once you understand what it does to the sound while recording, the possibilities are endless with it.
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Very easy to use,
Looks good,
Comes with a beautiful bag within the box.
Sounds perfect. Especially for micing your guitar amp. It's good for vocals too. Using it with a focusrite 2i2 3rd gen interface and yes there is a whole lot of gain for the interface i'm using it with. Don't need a middle device in between to boost the signal. I am happy with this!
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This mic is a true workhorse and will do a very satisfying job no matter where you set it, but it especially likes guitar amps and drum snares. I've used it mainly for recording guitars at home and it always delivers. with clarity and warmth and an even round sound, everything I hope to get out of my setup I get effortlessly by using this microphone. Even when I try recording with another mic I also have this one on too. Live I've used it for guitars and also for vocals with success every time. I also have the Shure A2WS matching windscreen and the bag is also a nice add-on.
It's also worth mentioning that this mic will just not die no matter what you do to it. Mine has been dropped from 10 meters high, stepped on, thrown at a wall, had guitar cabinets accidentally set their full weight on it, etc. and it only had one bad-ass scar to show. This mic is rock'n'roll.
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Legendary SM57, nothing to add except - great price for a great mic!
Highly recommended for any high gain or transient recording.
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bought several of these along with some 58's for a local open mic night, needed something that could do just about anything, acoustics, guitars, snares (a personal favourite) cajon's.
does just that. can't go wrong
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Used this over a year to record a Dumble clone. Very clean and useful !
A reference for tracking guitar sessions !
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I use it mainly to record guitars and sing, it is very polyvalent and does what I expect from it. Can only recommend it!
I don't use it everyday but all I can say is that it is perfect for almost any kind of recording.
I did not have a big budget but I needed a mic to record guitar and voices. So I chose to buy the Sure SM57 LC and I am really not disapointed. Very versatile. not much more to say.
Pros
It is extremely polyvalent so you can use it with almost everything, it is small. I bought in a bundle with a stand. Everything is quite sturdy. It is the first mic I buy so I can't compare with others bit I am entirely satisfied with it.
Cons
Nothing much to say, of course you can get mics for a specific purpose but for the price, this one is really perfect if you only want to buy one mic. It is a bit heavy but it's okay.
If you hesitate, do not, you will for sure not regret buying it as it is one of the best mic you can find for this price!
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