Arturia AudioFuse Studio B-Stock

B-Stock with Full Warranty
Return that may have slight traces of use.

USB 2.0 Audio Interface

24-Bit / 192 kHz
18 inputs and 20 outputs
4 mic / line inputs: XLR / TRS combo socket
4 line inputs: 6.3 mm TRS
Phono input: Cinch
Inputs: 1 - 4 switchable for instruments
Inserts for inputs: 1 - 4: 6.3 mm TRS
4 line outputs: 6.3 mm TRS
2 AUX outputs: 6.3 mm TRS for line signals and reamping
S/PDIF coaxial input and output: Cinch
Switchable to word clock
2 headphone outputs: 6.3 mm TRS and 3.5 mm TRS
2 ADAT In / Out for max. 8 channels @ 96 kHz Sampling Rate
Integrated Bluetooth audio receiver
Compatible with AAC and aptX
Integrated monitor controller with dim / mute / mono function
Monitor and source selection
Integrated 3-way USB hub for external devices
USB-C socket
Supports USB 2.0
Compatible with Windows and Mac OS X
Solid metal housing
Dimensions: 265 x 160 x 72 mm
Weight: 1.92 kg
Includes AudioFuse Creative Suite

30-Day Money-Back Guarantee

3-Year Thomann Warranty

Available since March 2020
Item number 490488
Sales Unit 1 piece(s)
Recording / Playback Channels 18x20
Number of Mic Inputs 4
Number of Line Inputs 8
Instrument Inputs 4
Number of Line Outs 6
Headphone Outs 2
Phantom power Yes
Number of S/PDIF Connectors 2
Number of ADAT Connectors 4
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Ethernet 0
Other Connectors 3x USB HUB
MIDI interface Yes
Word Clock 1xIn, 1xOut
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 2.0
Width in mm 265 mm
Depth in mm 160 mm
Height in mm 72 mm
Connection Format USB port Type B, 3x Type A
Included in delivery Power Supply, AudioFuse Creative Suite
Zero latency monitoring Yes

Also available as brand new product $777

$714

The shipping costs are calculated on the checkout page.

123

Sales Rank

in USB Audio Interfaces

Versatile interface and control centre

The Arturia AudioFuse Studio is a premium USB-C desktop interface and controller designed for hands-on tracking, mixing, and monitoring at the heart of DAW-based studio workflows. It features four channels of studio-grade DiscretePRO microphone preamps – known for their transparent response, low self-noise, and wide dynamic range – with inserts on each channel, alongside four additional rear-panel line inputs, including a shared phono input. Up to ten additional digital ADAT and S/PDIF channels are available via dual optical I/O and RCA connectors, alongside word clock synchronisation. Dedicated reamp outputs, high-precision 24-bit AD/DA conversion, and advanced routing capabilities position AudioFuse Studio as a central studio hub, while wireless Bluetooth audio can also be routed in. Its robust housing and clearly structured control surface reinforce immediate, tactile operation and long-term reliability.

High-grade recordings

The AudioFuse Studio optimises every element of the system signal chain, supported by a control surface that places essential recording and monitoring functions within easy reach. Each mic channel features dedicated buttons for phantom power, pad, and polarity, alongside clear VU meters for precise gain staging and a Listen button for single-channel monitoring. The four DiscretePRO preamps form a flexible front end capable of handling sensitive microphones, high-impedance instruments, and line sources, offering up to 72dB of gain before feeding high-resolution converters at up to 24-bit/192kHz resolutions. Levels are adjusted via reassuringly large rotary encoders, a hardware-first approach where essential tracking and monitoring adjustments remain immediate, while deeper routing and system configurations are accessed via the AudioFuse Control Center software when needed.

Arturia AudioFuse Studio audio interface, dials

So many sockets

There is more to the AudioFuse than its pristine front end and conversion. Dual speaker outputs with A/B switching, independent headphone outputs with separate cue mixes, and dedicated controls for dim, mono, mute, and talkback support precise monitoring and session management. MIDI In/Out synchronises external synths, drum machines, and controllers, while dual optical ports support up to eight channels of ADAT alongside two S/PDIF channels via the phono connectors, significantly expanding available I/O for evolving studios. Word clock connectivity ensures accurate sample-rate synchronisation across both hardware and software systems. One rear-panel phono input is equipped with an RIAA preamp for direct vinyl sampling, while Bluetooth audio operates on its own dedicated stereo channel for reference playback or live capture, bridging analogue and digital hardware with DAW-based workflows.

Arturia AudioFuse Studio audio interface, sockets

About Arturia

Arturia's success story began with software emulations of well-known analogue synthesizers such as the Moog Minimoog, Sequential Prophet-5, and Oberheim SEM. The popular software instruments included in the V Collection are still flagship products of the French developer today. Over time, Arturia has gradually expanded its range and now also offers a host of hardware devices, ranging from synthesizers and keyboard controllers to sequencers. Since then, the former software developer has thus also become a household name in the world of analogue synthesizers and other equipment.

Production software ecosystem

AudioFuse Studio is bundled with an extensive software package that transports its studio-grade recording capabilities into the digital domain. The AudioFuse Creative Suite includes a curated collection of Arturia effects inspired by classic studio hardware (such as Pre 1973, Pre V76, Pre TridA, Comp FET-76, Rev PLATE-140, Delay TAPE-201, Chorus JUN-6, Filter MINI, and Phaser BI-TRON), placing high-quality effects and tone-shaping tools directly within DAW environments. Analog Lab Intro provides a broad palette of synthesizer and keyboard sounds drawn from Arturia's V Collection. Alongside the AudioFuse Control Center, this ecosystem elevates the AudioFuse Studio's hybrid studio concept beyond immaculate audio capture, allowing projects to move seamlessly from tracking through mixing to sound design. As bundled software may evolve, the manufacturer's website should be consulted for current details.

In the spotlight

DiscretePRO Preamps

Arturia's DiscretePRO preamps capture the finest nuances thanks to their exceptionally low self-noise of -129dBu EIN (Equivalent Input Noise) and wide dynamic range of 118dB(A). Total harmonic distortion remains extremely low, with a THD+N figure of -107dB(A), resulting in transparent audio capture with minimal colouration. Separate gain structures for mic- and line-level sources ensure minimal noise, while the preamps' ultra-flat frequency response varies by as little as 0.09dB between 20Hz and 20kHz: This precision ensures that the unique character of every microphone is captured perfectly.

Served with love!