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Universal Audio UAFX Evermore Studio Reverb

4.9 out of 5 stars from 36 customer ratings
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This product is particularly cheap from 01.11. up to and including 31.12.2025. This is a limited time offer - so grab it quickly and save!

Effect Pedal for Electric Guitar

  • With three reverb emulations
  • Room, Small Hall and Large Hall "Vintage Digital" programs
  • Mod control
  • Selectable True / Trails Bypass
  • Short / Long Pre-delay: analogue Dry Through
  • Input: 6.3 mm jack
  • Output: 6.3 mm jack
  • USB Type-C connection for updates via computer
  • Power supply via 9 V DC power supply unit with negative pole inside and min. 250 mA (not included, suitable power supply unit available under item no. 543322)
  • Dimensions (W x H x D): 6.55 x 5.81 x 12.07 cm
  • Weight: 0.295 kg
  • Available since August 2023
  • Item number 573265
  • Sales Unit 1 piece(s)
  • Analog No
  • Battery Operation No
  • PSU included No
  • input/output configuration Mono in / mono out

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$133
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Legendary dense reverb

Behind the monophonic Evermore Studio Reverb sits a carefully crafted emulation of a classic studio unit, whose distinctive character has been translated into a compact pedal by Universal Audio. Three "224" algorithms are available - Room, Small Hall, and Large Hall - each offering its own spatial nuance, while the decay time can be shaped independently across low, mid, and high frequencies, giving the overall ambience a gentle sense of depth and dimension. Adjustable modulation adds a subtle liveliness to the reverb tail, and the mix control balances the dry and processed signals with natural continuity, creating a smooth blend of tone and space. A rear switch allows the addition of a slight pre-delay, and the pedal can operate in either buffered or true bypass mode, rounding out a design that aims for both authenticity and flexibility.

Universal Audio UAFX Evermore Studio Reverb

Musical in the best possible sense

The "224" model ranks among the earliest digital reverbs of the late 1970s and continues to retain a distinct sense of magic, with its dense and musical ambience merging effortlessly with the source signal to create a spaciousness that enriches the overall sound. With optimised input levels and impedances, the compact and robust pedal version is tailored for electric string instruments and performs reliably on stage. Beyond the selectable basic character of the simulated rooms, the reverb tail can be shaped swiftly through three frequency-specific decay controls, allowing a natural adjustment to the ongoing mix, while the modulation control contributes an added touch of animation to the final texture.

Universal Audio UAFX Evermore rear panel with connectors

Studio upgrade for the stage

Universal Audio has packed the sound of a renowned studio classic into a compact pedal, carefully tailored for guitarists and bringing decades of refined, studio-quality reverb directly to the stage. Clean tones can be enveloped in a warm, spacious ambience, subtle modulation adds depth and richness, and solos gain body, presence, and clarity, making every performance more expressive. The effect is highly versatile, far surpassing the capabilities of any built-in spring reverb, and responds intuitively to adjustments. Frequency-specific decay controls allow the reverb tail to be shaped with precision across low, mid, and high ranges, ensuring that each guitar's unique character can be highlighted effortlessly while blending naturally within the overall mix.

Universal Audio UAFX Evermore Studio Reverb

About Universal Audio

Few manufacturers can draw upon a wealth of audio engineering experience comparable to that of Universal Audio. The company's founding father Bill Putnam, along with his friend Les Paul, have an admirable reputation as trend-setting music producers and developers of legendary analogue studio technology. Putnam recorded Chuck Berry, Muddy Waters, and Sarah Vaughan, and was Duke Ellington's favourite sound engineer. He developed the famous 1176 Peak Limiter and distributed the Teletronix LA-2A level amplifier. This earned him a posthumous "Technical Grammy Award" in 2000. In 1999, Putnam's sons, Bill Putnam Jr. and James Putnam, re-founded Universal Audio, transferring their father's analogue vision and craftsmanship to the digital music world. Their product range includes audio interfaces, dedicated DSP farms, and a variety of plug-ins, as well as analogue hardware devices.

Enhanced sound for amplifiers and recordings

The Universal Audio Evermore Studio Reverb is a seamless addition to any pedalboard, designed for effortless use while delivering studio-quality space and richness at the press of a button. It blends naturally with both clean and distorted tones, as well as with modulation and delay effects, enhancing the overall sound without overwhelming it. Ideally positioned in the effects loop of a guitar amplifier, it will also prove highly effective in situations without a traditional amp or when using speaker simulations, creating new sounds, or recording demos. The reverb tail can be shaped precisely, and the pre-delay option adds extra spatial depth, providing clear separation between the original signal and the adjustable effect whenever needed.

In the spotlight

36 Customer ratings

4.9 / 5

handling

features

sound

quality

29 Reviews

O
A steal at this price!
Obex_Mike 17.09.2024
I've had my eye on this pedal for a while but didn't want to spend £150 on it. Saw it for £85 and thought it was worth a try. It's definitely worth £85! It does much more than I knew as well, you can get anything from small room to infinite reverb, and the EQ shaping means you can have a full sounding reverb that tails into, say, a low end rumble or kill all the lows and leave the highs, making it sound like it's taking off and flying away! The option to keep the tails when you turn the pedal off is great too, perfect for creating a soundscape to noodle over. Brilliant pedal!
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f
The Sound of the 80's
f73d 16.07.2025
This is basically a simplified emulation of a Lexicon 224, classic digital reverb. You can get all types of sound, from a small room to endless huge hall sounds. So far, I have only used it on guitars, but I would be curious to test on some drum machines.
This pedal is pretty easy to use, but some people might need a bit of time to get used to the three decay frequency controls.
I personally use it for unrealistic reverb sounds.
One detail that could be important: it is mono only.
All and all a very cool pedal, good build, great sound.
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Z
Excellent reverb
Zdan 22.11.2024
simple but excellent algorithmic reverb.
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er
Kann wenig, das aber auf höchstem Niveau!!!
el rolfo 13.03.2024
Klasse stand alone reverb allererster Güte! Suchte was für always on im fx-loop und wurde belohnt. Die Modulation ist nicht meins, brauche ich nicht, aber die kann man ja rausdrehen. Übrig bleibt ein fantastischer Halleffekt, der seines gleichen sucht! Einfach Hall! Mehr nicht. Perfekt match für genau meinen Zweck. Einen Lautstärkeregler gibt es nicht. Braucht es aber auch nicht.
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