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Dynamic microphone

  • For floor toms and bass drums
  • Professional dynamic microphone
  • Hypercardioid polar pattern
  • Frequency range: 38 Hz – 19 kHz
  • Impedance: 200 ohms
  • Maximum SPL: 144 dB
  • Also suitable for electric bass guitars and brass instruments
  • Available since February 2003
  • Item number 160141
  • Sales Unit 1 piece(s)
  • Condenser Microphone No
  • Polar Pattern Supercardioid
  • Microphone Clamp Yes
  • Dynamic Microphone Yes
$166
The shipping costs are calculated on the checkout page.
In stock
1

An all-rounder for the low end

The Audix D4 is a dynamic microphone with a hypercardioid pickup pattern, widely regarded as a low-end all-rounder across stage and studio applications. Its relatively balanced frequency response reproduces frequencies cleanly down to 40Hz, while the VLM diaphragm captures transients in a transparent and natural way. In practice, its range of applications extends from floor tom and kick drum through to bass guitar cabinets and low-frequency brass instruments. Its compact, robust aluminium housing – made in the Audix facility in Oregon like the rest of the D series – and high resistance to both sound pressure levels and feedback make it equally at home in demanding live environments and controlled studio sessions.

Audix D4 microphone, for drums, bass, and brass

Mighty mic

The Audix D4 is certainly compact, yet it delivers a full, weighty sound with a frequency range spanning 40Hz to 18kHz. Combined with the natural response of the VLM diaphragm, this allows a variety of instruments to be captured in great detail. The balanced frequency response is gently shaped only in the upper mids – between around 2 and 5kHz – where a subtle presence boost helps bring out stick attack on toms without pushing the whole midrange forward. Its dimensions also make it straightforward to position on a tom or inside a kick drum, and wherever it's placed, the Audix D4 handles sound pressure levels of up to 144dB without distortion, even under aggressive drumming.

Audix D4 microphone in its clip

Value through versatility

The transparent signals captured by the Audix D4 feel both natural and easy to work with, largely thanks to its balanced frequency response. That balance extends into the midrange where it produces a warm, classic sound on kick drum – the kind of flavour that suits drummers and engineers who want character without heavy EQ correction. The D4's voicing is already well judged and immediately usable, which means the price reflects genuine engineering decisions rather than corner-cutting. For a dynamic mic in this price bracket, it holds its own convincingly against more expensive low-end all-rounders.

Audix D4 microphone with carry bag and mic clip

About Audix

Audix is a US microphone manufacturer which was founded in 1984. The small company has its headquarters in Wilsonville, Oregon and offers a wide selection of microphones – both for the recording studio and for live use. The range of products extends from instrument microphones, such as those from the well-known D series, to vocal microphones with complete wireless systems. The company’s remit goes beyond the music industry, however, since it also provides lavalier microphones, console microphones, and other devices for permanent installation. Audix also produces headphones and various microphone accessories, such as stands and XLR cables.

Convincing combinations

In live settings, the Audix D4's robust housing and compact size are particularly useful with closed kick drums, where permanent installation inside the shell is a realistic option. On a bass drum, the D4 delivers a natural sound with more emphasis on the midrange – essentially the opposite character to the D6. For more demanding studio recordings, combining the two microphones is a well-established approach: the D6 provides low end and attack from inside the kick, while the D4 at the front head contributes a more balanced overall tone. The D4 isn't limited to the drumkit and performs equally well on other percussion instruments such as cajon, djembe, or timpani – and retains its full-bodied character on bass amp speakers as well. The D4 is backed by Audix's five-year warranty.

187 Customer ratings

4.9 / 5

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sound

quality

93 Reviews

A
Perfect for floor toms
Adrian866 30.10.2017
I'm using this on my 16" floor tom and love the sound I get - full, rich and deep.
Solidly built microphone, lovely build quality, though physically quite a large mic, and I can imagine this lasting for years and years of use.
I like it so much, I am going to buy a second one for my 14" tom to replace the Sennheiser I'm currently using.
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Great punch and clarity for low-end instruments
cmsd 11.04.2026
I’ve been using the Audix D4 בעיקר on floor tom and bass-heavy sources, and it really delivers a solid, punchy low end without getting muddy. The attack is clear and defined, which helps the drum cut through the mix nicely.
Build quality is excellent, as expected from Audix — very sturdy and reliable for both studio and live use. It also handles high SPL without any issues.
Compared to other mics in this range, I find the D4 to have a more focused low-mid response, which reduces the need for heavy EQ later.

Overall, a great choice if you’re looking for a dedicated mic for floor tom, kick drum (secondary), or even bass cab.

Pros:
-Tight and punchy low end
-Excellent build quality
-Great for floor tom and bass sources

Cons:
-Slightly less versatile than some all-purpose dynamic mics
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Simply the best tom microphone ever
mikeydude 31.12.2019
Audix microphone are superb....this tom mic is no exception...great clarity and attack..cuts through a live mix. light weight easy to position.
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A
Good allround mic for low end audio sources
Anonymous 22.01.2016
I got this mic after watching some comparisons between a bunch of drum kick mics. Somehow this seemed the best sounding for its price, while not having exaggerated EQ. But since I'm recording a lot of metal, I felt I need a bit extra from the mic and am now waiting for the D6 to arrive, which is very popular for this music genre.
I might still use the D4 for close attack miking on the kick drum. I do like the sound on the high end.
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