EBS Stanley Clarke Pre Amp

EBS Stanley Clarke Pre Amp: Stanley Clark Signature 2-channel preamp for acoustic instruments with best sound quality; controls: 2x Gain, Treble, Filter Mid, Mid frequency band, Bass, 1x Volume; switches: Source (1/4"/ XLR) Phase (Normal/Invert), Electret (Off/PWR), 2x Type (HP/Notch); buttons: Gnd Lift, SPKR Sim, Parallel FX Loop; inputs: 2 x 6.3 mm input, XLR-Mic Input (48 V phantom power); Aux-In 3.5 mm jack; Outputs: FX- Loop( Send & Return), 6.3 mm jack, 1x Output 6.3 mm jack, Tuner Out 6.3 mm jack, 1 x XLR(Pre/ Post, Post Bal Out), head phone (3,5 mm jack) ; Effect Loop;, two footswitches for A/B and Mute; Power supply: 9 V DC, 500 mA; Power supply incl. Dimensions: 168 x 124 x 53 mm, weight: 660 g, color: white.

Further Information

Design Floor Effects Pedal
Tubes No
Amp Modeling No
Integrated Effects No
Headphone Output Yes
Direct Out Yes
MIDI Connector(s) No
Integrated Expression Pedal No
Connections for Pedals or Switches No
Aux Input Yes
Integrated Tuner No
USB Connection No

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4 Customer Ratings
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4.8 /5
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fr Original review (Show translation)
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Grosse amélioration du son de ma contrebasse
Gdabdx, 19.12.2020
J'utilise ce préamplificateur avec une contrebasse de qualité et il lui apporte un gain notable dans la qualité et le naturel du son (comparé à l'ancien préamplificateur que j'utilisais). Avec la cellule seule, le son est déjà bien meilleur mais l'ajout d'un micro aérien amène le petit plus de naturel que j'attendais.
Ce préamplificateur est vraiment très pratique avec ses deux canaux, les choix de fréquences sont excellents, les aigus ne soufflent pas, le notch ou high pass remplissent bien leur rôle.
La connectique est complète (même une sortie casque et entrée aux). A noter que le Cab sim n'affecte pas la sortie casque mais uniquement la sortie XLR.
Première impression, elle semble solide et bien construite, à voir dans le temps si la fiabilité est au rendez-vous.
Pour l'instant un sans faute, je suis très satisfait de cet achat.
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de Original review (Show translation)
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30 Jahre darauf gewartet!!!
Mini Schulz, 17.12.2020
Seit 35 Jahren spiele ich professionell Kontrabass (und E-Bass) - von Barock über Klassik, in Jazz Pop und Rock. Immer war es ein "Riesengewurstel", einen Kontrabass mit Mikrofon - egal welchem - direkt mit einen Verstärker bei Live Auftritten einzusetzen.
Wenn man dann noch einen Pickups dazumischen wollte, wurde es mit Phasenauslöschungen, Brummschleifen etc. immer noch schlimmer.
Oder man muss im Kontext des klassischen Orchesters den, teilweise auch gestrichenen Kontrabass, etwas anheben - durchaus gängig bei moderner Literatur - Kabelsalat, runterfallende Preamps und externe Phantomspeisungen - damit macht man sich bei den Kollegen im Orchester besonders beliebt.
Oder eben mal bei kleinem Besteck zwischen mikrokopiertem Kontrabass und E-Bass hin - und herschalten.
Und wenn dann noch ein Techniker fragt, wo er denn den Ton für die PA oder das Aufnahmepult abnehmen soll - ratlose Blicke.
Stimmgerät einschleifen - noch ein Problem........ohne das kann man im Orchester, Big Band oder sonstige Gewühle einfach nicht zuverlässig stimmen.

Und plötzlich ist es da, dieses kleine Helferlein - klingt, nix brummt, Stimmgerät mit Mute-Taste, Phasendreher kein Problem, perfekt gesetzte EQ-Filter - und dann noch dieser Noch-Filter! Besonders wichtig, wenn die Technik mal wieder die Subwoofer AUF DIE BÜHNE - grrrrrrrrr gestellt haben und der Tiefbass durch den Kontrabassstachel direkt zu einer Hup'-Schleife animiert wird - plötzlich auch kein Thema mehr.

Mannomann - was hab ich für tausende von Euronen Kistchen gekauft und hatte nie eine wirklich gute Lösung.

Der Effektweg mit dieser Y-Kabellösung ist vielleicht der einzige klitzekleine Wermutstropfen in meiner Jubelarie. Aber Effekte........na ja.........also ich werd fürs Bassspielen bezahlt ....

So, mit 54 meine erste Produktbesprechung, aber das musste mal gesagt werden - Volltreffer! Danke EBS und Stanley!

Wenns das doppelte kosten würde hätte ich es trotzdem gekauft - jetzt werdet aber nicht übermütig ihr Tommänner...... ;-)

Prof. Mini Schulz
Institut für Jazz und Pop
Musikhochschule Stuttgart
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fr Original review (Show translation)
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à la hauteur de mes espérances
D6643, 19.12.2020
on obtient un son très propre et précis. les corrections de fréquences d'eq sont bien choisies et très musicales pour la contrebasse. les filtres coupe bas et Notch fonctionnent vraiment bien. très peu de souffle.
la sortie niveau ligne "niveau professionnel" me parait être exagérée (c'est plus de la com), on est plus prêt d'une sortie niveau instrument il me semble, mais c'est suffisant et l'essentiel est que ça fonctionne et plutôt bien d'ailleurs, facile d'avoir un beau son à l'arrivée en mélangeant un micro et une cellule piezo. service Thomann comme toujours, au top.
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$399
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