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Dynamic Kick Drum Microphone

  • Polar pattern: Supercardioid
  • Frequency range: 20 Hz - 16,000 Hz
  • Sensitivity: -66.0 dBV/Pa / 0.5 mV/Pa
  • Shure Revonic dual-engine transducer technology
  • XLR 3-pin connection
  • Weight: 535 g
  • Colour: Black
  • Includes a transport bag and 5/8" to 3/8" adapter
  • Available since February 2025
  • Item number 610025
  • Sales Unit 1 piece(s)
  • Condenser Microphone No
  • Polar Pattern Supercardioid
$265
The shipping costs are calculated on the checkout page.
In stock
1

Two transducers, one drum

The Shure Nexadyne 2 is a dynamic supercardioid microphone specifically designed for capturing kick drums and other low-frequency sources. Featuring Shure's patented Revonic Dual-Engine transducer technology, which employs two precisely matched capsules working in tandem – one facing the source for clarity and isolation, the other wired out of phase to cancel mechanical noise and handling interference – it captures the kick drum's natural sonic character with little to no additional signal processing required. Its focused supercardioid polar pattern effectively rejects off-axis sources, a feature useful both in the studio and on stage.

Shure Nexadyne 2 bass drum microphone

Precise and powerful bass

The Shure Nexadyne 2 is specifically designed to capture the attack, body, and tail of kick drums. Its wide frequency response (20Hz–16kHz) captures the full low-end resonance, and air escaping the shell, while a boost at 4.5kHz highlights the impact of beater on drumhead. The built-in passive filter scoops the 450Hz range, attenuating low-mid boxiness that can easily muddy a mix. The result is a well-balanced sound that works equally well for acoustic recordings and for Rock, Pop, and Electronic music productions, where it provides a solid foundation for compression, EQ, and further dynamic treatment. Housed in a rugged die-cast zinc body with a dual mesh grille, the Nexadyne 2 is both durable and discreet on stage, thanks to its non-reflective profile.

Grille and capsule on the Shure Nexadyne 2 bass drum microphone

The expert's mic

The Nexadyne 2 is aimed at live sound and studio engineers, as well as drummers themselves – anyone who requires a specialised and consistent kick drum mic that'll save time on remedial EQ at the mixing desk. Its off-axis rejection is a welcome property on busy stages where bleed from cymbals, snares, and floor monitors is a constant challenge, and its detailed and dynamic sound signature translates well to professional recording environments. Drummers and bassists who manage their own sound will find it a straightforward and dependable choice, whether close-miking a kick in a rehearsal room or positioning it in front of a bass guitar amp. Compact, reliable, and easy to deploy, the Nexadyne 2 presents many practical advantages when working fast turnarounds at live events or back-to-back studio sessions.

XLR socket on the Shure Nexadyne 2 bass drum microphone

About Shure

The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne – known to many as the "Elvis microphone" – and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.

From the stage to the studio

The Nexadyne 2's integrated swivel mount with thumbscrew enables precise positioning to capture each source's sweet spot, while the 3/8" thread adapter included ensures compatibility with standard mic stands. The rear-mounted XLR connector – positioned away from the swivel joint – keeps cabling tidy and accessible even in the tightest setups. Beyond the drum kit, its full-bodied low-end response and compact dimensions make it a capable and discreet choice for bass amplifiers and large percussion instruments, while its robust construction and the storage pouch it ships with make it equally suited to the demands of touring. From festival stages and club rigs to professional recording studios, the Nexadyne 2 delivers consistent, reliable performance wherever it is deployed.

In the spotlight

7 Customer ratings

4.3 / 5

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quality

5 Reviews

DL
Faulty
Davey L 03.07.2025
This microphone disappointed me. There was clearly a manufacturing fault and it sounded thin & harsh. I had to return it to THOMANN and wait 6 weeks for its return after its service. I used it lightly & carefully so this was undoubtedly a manufacturing fault. I am a fan of Shure equipment but this microphone has been a disappointment.
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D
Okay!
DerRic 11.07.2025
Ich habe mir die Empfehlungen anderer angeschaut, Kritiken gelesen, die Werbevideos gesehen und gehofft, dass ich mit diesem "Game Changer" die Grenzfläche sparen kann, da ja sowohl der Anschlag- als auch der Kesselsound sauber und kräftig übertragen wird.

Livegig, annehmbare Anlage, genug Soundcheckzeit: Das Mic klingt okay! Okay, für ne Bassdrum im Rock-/Popbereich, die treiben soll und einen durchsetzungsfähigen Sound mitbringt. Die Werbebotschaft, das kaum oder so gut wie kein EQ notwendig ist, ist eben eine Werbebotschaft, nicht mehr. Vielleicht muss man ein ganz klein wenig weniger Kesseldröhnen rausnehmen.

Mein Resultat: Das Mic ist okay aber kein Game Changer. Für einen richtig guten Sound werde ich weiterhin die Grenzfläche in die Kick werfen und ich denke, hätte ich mein Beta 52A benutzt, währe der Unterschied nicht wirklich hörbar gewesen.
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M
Shure Nexadyne 2
Maňa 26.08.2025
Vyšší řada, než jsem měl doposud a jsem nadmíru spokojený.
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CB
Bassdrum wird voll und differenziert widergegeben
Chrille B. 11.04.2025
Bislang verwendeten wir für die Abnahme der Bassdrum (innen, Rock) ein Audix C4. Im Mixing habe ich es nicht hinbekommen, die Bassdrum differenziert und druckvoll herauszuarbeiten. Daher habe ich mich nach einer Alternative umgesehen.
Das neue Shure Nexadyne 2 macht da einen hervorragenden Job. Druckvoll und kräftig wird die Kick abgebildet und ich kann sie im Mix gut herausarbeiten. Das Mic hat bei uns seinen Platz gefunden.
Das Audix C4 nehme ich jetzt für die Snare (Bottom).

Einziger Kritikpunkt: Das Mikro lässt sich nur als ganzes aufs Stativ schrauben. Du drehst also nicht nur die Klemme, sondern das ganze Teil. Da es auch ein wenig wiegt und aufgrund der Form zum Eiern neigt, ist das nicht so schön. Für den Gig muss man dann also immer ein bisschen fummeln...
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