EV RE20 RE-Series B-Stock

B-Stock with full warranty

Slight traces of use

Large-Diaphragm Dynamic Microphone

  • Directional characteristic: Cardioid
  • Bass roll-off switch
  • Variable-D design
  • Frequency range: 45 / 18,000 Hz
  • Dimensions (diameter x length): 49 x 54 x 217 mm
  • Weight 1474 g
  • Includes clamp and storage box
  • 3 Year manufacturer's warranty
  • Remark: Ideal for bass drums, wind instruments, and speeches
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Audio Examples

 
0:00
  • Git Amp
  • Kick
  • Trombone
  • Saxophone
  • Trumpet

Further Information

Tube No
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut Yes
Pad No
shockmount included No
USB Microphone No
17 Customer Ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 /5
  • features
  • sound
  • quality
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Total
features
sound
quality
Classics with allround quality
Mischpultsigi, 08.10.2009
· Assumed from EV RE20 RE-Series
So for a few weeks now I have been faced with this: Robust appearance, powerful, and also something for the optical senses. But what does "lies" here, HANG. And this is unmistakably in the sound box of my sound studios (in New-Denglisch also called "Vocal-Booth"), enclosed in the original microphone holder.

Yes, how does it sound now? Great! Large, full-bodied, even with a very short distance always transparent and without grudges. I have tested it so far only with singing, but according to tonal historiography but also one of the microphones for blower in general and trumpet in the very special. And it also feels so in the kick and the contrabass sauwohl, which the Tonküche everything in the future will also still test.

The RE20 would also be a good choice for those who want to record under rather unfavorable conditions and still want the fleshy sound of a large diaphragm microphone. With a capacitor type, you get a lot of background noise on the hard drive, if it is not really quiet in the room, the RE20 dampens much.

The microphone is delivered with a robust microphone holder, for voice or vocal recordings I would however very recommend the original spider, which can dampen vibrations very properly. A universal spider is very unsatisfactory with the special design of the RE20, and the original is really a real eye-catcher.

Very important: The microphone can withstand high sound pressure, but does not have a very high output level, so it is absolutely necessary to use a high-quality microphone preamplifier. Low-bruntary representatives of this genre acknowledge high gain settings with a clear noise. In my studio the RE20 hangs on a TL-Audio M4 mixer, which pre-amplifier of the upper class has installed and thus this microphone simply SUPERB!

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$485 €418.10
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