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This item runs exclusively on an operating voltage of 230 V and therefore requires a voltage transformer to run in your country of United States.

Stage Piano

  • 88 Keys Grand Feel mechanics with wooden keys, 3-sensor pressure point simulation and IvoryTouch keys
  • Shigeru Kawai SK-EX and SK-5 grand piano sounds
  • 40 Sounds with Harmonic Imaging XL technology and 88-key sampling
  • 208 Setup memory slots
  • 256-Note polyphony
  • Amp Simulator and DSP effects
  • Recording functions: MIDI, MP3, WAV
  • Playback with loop function
  • 128 X 64 Pixel LCD display with backlight
  • Metronome
  • Pitch Bend and Modulation wheels
  • Dimensions (W x D x H): 1380 x 452 x 190 mm
  • Weight: 34 kg
  • Incl. GFP-30 3-speed pedal

Connections:

  • 6.3 mm Jacks for Line Out (L/Mono, R or 2x Mono)
  • XLR Outs with Ground Lift
  • Headphone socket
  • Damper/Soft pedal
  • Footswitch (assignable)
  • Expression (assignable)
  • MIDI in/out/thru
  • USB to host
  • USB to device
  • Power socket
  • Available since November 2017
  • Item number 424720
  • Sales Unit 1 piece(s)
  • Number Of Keys 88
  • Hammer Action Keys Yes
  • Number of simultaneous Voices 256
  • Number Of Sounds 40
  • Effects Yes
  • Headphone Outputs 1
  • Metronome Yes
  • Pitch Bend Yes
  • Modulation Wheel Yes
  • MIDI interface 1x In, 1x Out, 1x Thru
  • Included Accessories GFP-30
  • Weight 34,0 kg
$2,111
The shipping costs are calculated on the checkout page.
In stock within 6-8 weeks
1

Flagship stage piano with stunning realism

The MP-11 SE is Kawai's flagship stage piano, designed for professional pianists who demand uncompromising acoustic realism, precise control, and robust, stage-ready build quality. At its heart is the acclaimed Grand Feel keybed, featuring 88 full-length wooden keys with grade-weighted hammers, let-off simulation, counterweights, and IvoryTouch key surfaces. Combined with Harmonic Imaging XL technology and 88-key stereo sampling of Kawai's SK-EX, SK-5, and EX concert grands, it delivers stunning authenticity and dynamic response. Three dedicated sound sections - Piano, E.Piano, and Sub - house a total of 40 onboard sounds, including classic EPs, strings, and basses, all fully layerable and adjustable via a flexible effects engine. Designed for both performance and production, the Kawai MP-11 SE also functions as a powerful four-zone MIDI controller and features USB audio file playback and recording.

Unrivalled acoustic feel

The Grand Feel keyboard action of the Kawai MP-11 SE provides a playing experience that closely mirrors a concert grand. Each wooden key pivots on a balance rail and activates a weighted hammer, giving the response and control pianists expect from an acoustic instrument. Triple-sensor key detection, counterweights, and a let-off mechanism allow nuanced repetition and dynamic articulation, particularly when playing softly, while the keys are finished with Kawai's moisture-absorbing IvoryTouch surface for a secure and natural grip. This premium keyboard action is paired with the Virtual Technician engine, offering 22 detailed parameters to shape voicing, string and damper resonance, hammer noise, pedal behaviour, and more - delivering a highly customisable sound and feel.

Hands-on control and real-world workflow

Despite its extensive features, the Kawai MP-11 SE offers a clean and intuitive interface with three clearly separated sound sections and four real-time control knobs. Players can quickly access and tweak sounds, apply effects, and build setups with ease. The onboard memory stores user setups and sounds, which can be backed up or transferred via USB. A full range of connections - XLR and jack outputs, line inputs with level control, three pedal inputs, MIDI In/Out/Thru, and USB to Host/Device - ensure seamless integration in both live and studio environments, while the included GFP-3 triple pedal unit, with optical sensors, supports half-pedalling, soft, and sostenuto control for maximum expressive depth.

About Kawai

Kawai is a Japanese manufacturer which has specialised in building upright and grand pianos since its inception in 1927. Since 1986, Kawai has also been producing digital pianos. Right from the start, the name "Kawai" stood for innovation: For example, Kawai produced the first digital piano with keys made entirely of wood, and also made the first keyboard to truly replicate the action of a grand piano. The list of artists who have chosen Kawai is long, and it includes both Classical pianists like Warren Mailley Smith, Ashley Fripp, and Mikhail Pletnev, and popular keyboardists like Herbert Grönemeyer, Ingo Reidl (Pur), and Don Airey (Deep Purple), among others.

Designed for stage and studio

Weighing 34kg and housed in a rugged metal chassis with elegant wooden side panels, the Kawai MP-11 SE is built to meet the demands of touring professionals, and its 256-note polyphony ensures smooth layering, splitting, and sustained playing, even during complex performances. The effects engine includes 129 algorithms, six types of reverb, and a global EQ, while Seamless Sound Switching allows patch changes without cutting off held notes. As a MIDI master keyboard, it supports four programmable zones with independent routing, ideal for controlling external gear or DAW-based setups. An optional SC-1 soft case is available for safe and convenient transport. Whether used as a solo instrument, performance hub, or studio controller, the MP-11 SE combines Kawai's acoustic heritage with the flexibility and workflow demanded by today's professionals.

62 Customer ratings

4.9 / 5

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49 Reviews

R
Great sound and Great Touch!!!
Rado223 14.06.2020
I am using this piano for a practicing and in my home studio as a main source of piano sound and midi controller.
In my opinion, it has the best hammer action You can get on a market these days. I work as a professional pianist and keyboard player over 15 years and tried many top end stage pianos from Nord, Yamaha and Roland, So far this is the closest touch to real piano I ever played.

Sounds of pianos are beautifull, warm, just the noise of pedals by factory settings is too loud, but no big deal, you can change it in settings and save the preset. And same with the metronome, by factory settings is crazy loud.

The built quality is great, there are no cheap plastics, but solid metal and wood. The bad thing is that make this piano togather with a hammer action very heavy, I cant cary the piano on a gig just by myself, You need an another person to help you.

Handling is not a strongest point of this piano, but still ok, for expample if you want to play audio file from your USB stick, You may think You put USB Stick inside and press the button USB and find your file, but not,You have to press Record and do some steps to load the song, I had to google it to find out, it isnt intuitive.

Summary it is a great good looking Stage piano, and if you have somebody to help you to carry it, or You use keyboard mainly in studio or home as myself, it is a great choice!!!
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17
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p
Superb piano, poor support. Almost like buying a long term problem.
pbondon 20.09.2025
I will preface this review by saying that the piano itself is superb as a substitute to a real acoustic / grand piano. The action is excellent, and it feels very pleasant to play. However, what makes the action so good also makes it fallible and thus feels like purchasing a long-term problem.
My own MP11SE displayed early issues only 18 months after purchasing it, and the support I received both from Kawai and Thomann was very disappointing.
After reaching out to Thomann about my piano’s issues, they arranged for a technician to come see the piano.

He replaced all the slip tapes in my piano and he was very pleasant. However, his visit fixed one problem and left several more.
Two keys now have friction against each other (caused by the wood they are built with having splinters), and it is quite distracting to hear it each time I play a piece which involves those keys.
I let the technician know immediately while he was at my house and he told me that "slight noises are part of the normal operation of a piano" and while I agree somewhat, the noise wasn't there before.
Furthermore, after practicing a section marked "pianissimo" I noticed a high D was significantly heavier to press than the other keys. This prompted a more thorough inspection, and I found that in total three keys were affected. Their action is evidently deteriorated, and they are hard to press and slow to return to their original position. This is extremely concerning and incompatible with proper expression of dynamics in certain pieces.
I reached out to Kawai, who conveniently referred me back to my dealer (Thomann).
I reached out to Thomann, who told me that they wouldn’t be able to have a solution before I was due to relocate. Bear in mind that between the original outreach for the piano’s issues and today, almost three months have passed. Three months in which my piano significantly deteriorated due to the actions taken by the official channels, only 18 months after purchasing the piano.
In summary, the piano is excellent but it comes with a fair amount of headaches that owners will have to be prepared to deal with. Naturally, no one who spends this amount of money on proper equipment wants to have these problems, so buyers beware.
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M
Exceeds all expectations
MaxDannek 05.06.2019
excellent instrument with a great variety in settings including brilliant and sharp to mellower/ lounge-ier piano sounds even though the namesake Shigeru setting is actually really all I need. I may imagine this but it sounds very kawai-esque, which was quite the transition from having played on yamaha stage pianos. It took some getting used to but I mean - that's to be expected when getting a new instrument I think.
It comes with the usual other instrument settings, the strings are "okay" (to be fair, i have yet to find one setting that could do a string section any justice so I might be biased here, it's still one of the better ones but yeah, that is literally the only part I'd not expect too much of) but every (other) setting is tastefully made and usable. There are even some fun ones that can be layered or used with a split keyboard which is great for layering tracks. I personally mainly use the piano sounds but I can imagine someone enjoying the other ones as well.

The keyboard plays naturally and the combination of different sounds and the option to change the responsiveness of the keys allows to completely transform the playing experience.

Downsides:
Pressing the sustain-pedal creates a shattering sound that is virtually only audible using headphones but still irritating. I haven't found a way yet to turn it off. At 34kg it is quite heavy and cases take some time to manufacture.
The multitude of ways to tweak the different settings is at first quite overwhelming but the price point should have indicated already that this instrument would be overkill for a beginner anyway.
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c
Just love it and I play it all night long.
cablesaurus 26.03.2023
I've had this for a few years now and I continue to love the sampes, the tuch and the experience when playing.

I play classical music on it exclusively and there are a lot of "tunable' features in this keyboard for me that I love.

I think the touch is better than many acoustical uprights (and a few grands) and it's easy to forget it's digital. It's not perfect, but it's also not corrupting my technique so when I do play an acoustical pianos, I feel in control still.

It's very heavy. Portability heavy is relative. Get a really good stand.
Build is superb. I've not had any issues (yet) with action of UI functionality.

I really, really wish the knobs on the console were rotary encoders and NOT potentiometers - or that somehow it was possible to rotate them through and past 360 degrees... You can set the pots in one menu with terrific accuracy, but move to another menu and then pots are all rotated in the wrong positions. This was not a deal breaker for me (and it should not be for you), but it is annoying to have a problem like this, both at this price point, and with all the amazing design and engineering Kawai put into making everything else outstanding.
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5
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